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“When they called me a ‘germ’ I wanted to die”

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May 13, 2018
But Fukushima boy fought back, helping win a court victory that brought compensation for evacuees from the nuclear disaster
On October 25, 2017, 15-year old former Fukushima resident Natsuki Kusano (not his real name and he has asked not to be pictured) testified before the Tokyo District Court. He was among a number of Fukushima evacuees seeking compensation from Tepco and the Japanese government and asking the court to hold the company and the government responsible for the Fukushima nuclear disaster.
As reported by the Asahi Shimbun, on March 16, 2018, the  Tokyo District Court found the central government and TEPCO responsible for contributing to the psychological stress suffered by 42 evacuees and ordered the defendants to pay a total of about 60 million yen ($566,000) in compensation.
The lawsuit was filed by 47 individuals in 17 households who fled from Fukushima Prefecture to Tokyo in the wake of the nuclear disaster. Significantly, 46 of those individuals evacuated voluntarily from areas where no evacuation order was issued by the government.
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Natsuki’s mother (left) cries with joy when she hears the Tokyo court verdict.
When the verdict came down, Natsuki was in Geneva with his mother and other women who were there to urge the Japanese government to abide by the UN recommendation of a 1 millisievert per year radiation exposure level. The Japanese authorities had raised this level to an unacceptable 20 msv per year in order to justify ordering people to return to affected areas or risk losing their compensation.
This was the sixth ruling so far among at least 30 similar law suits filed in Japan.  Four rulings have held the central government liable for the nuclear disaster and ordered it to pay compensation.
The plaintiffs believe that Natsuki’s declaration played an important role in the victory. Here is what he said:
Life in Iwaki
I was born in Iwaki city, Fukushima. I lived there with my parents and my little brother who is younger than me by 5 years.
While we were in Iwaki, we enjoyed our life season by season. When spring came, we appreciated cherry blossoms at “the Night Forest Park”, which was famous for its marvelous row of cherry trees that lots of people also know about well through the TV. In summer we went gathering shellfish. We had a fun time hunting wild mushrooms in fall and made a snowman in winter.
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A treasured life was lost after being forced to evacuate from Fukushima.
In a park or on my way home from school, I picked a lot of tsukushi (stalks of field-horsetail). My mother simmered them in soy and made tsukudani, which we loved very much. We lived in a big house with a large garden where we grew blueberries, shiitake mushrooms and cherry tomatoes. At school I collected insects and made mud pies with my friends.
Life after the Accident
But we have lost these happy days after March 11,  2011. The Night Forest Park is located in the “difficult-to-return zone”. We can’t make pies with mud fully contaminated by radioactivity.  However, the worst of it was that I was bullied at a school I transferred to.
Some put cruel notes on my work in an art class, others called me a germ. These distressing days continued a long time and I began to wish to die if possible. Once when I was around 10 years old, I wrote on a wishing card on the Star Festival, “I want to go to Heaven.”
Perhaps those who have no way of knowing anything about evacuees see us as “cheating people”. They might think that the evacuees from Fukushima got great compensation and live in shelters in Tokyo for free with no damage at home.
I believe that these misunderstandings would not have happened if the government and TEPCO (Tokyo Electric Power Company) had told the truth about the horrible reality of radioactive contamination and had provided accurate information to the public: they have hardly paid any compensation to the extramural evacuees. (Note: these are the evacuees who fled from areas outside of the official evacuation zone. Because they left without the evacuation order, the government considers them “voluntary” evacuees who are therefore not entitled to compensation. In its verdict, the Tokyo district court recognized the rights of these self-evacuees.)
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Contrary to propaganda, Fukushima evacuees were no freeloaders
I have not revealed that I am an evacuee at my junior high school which has no relations with the former school, and actually I have not been bullied ever since.
What I wish adults to bear the blame for
It is adults who made the nuclear power plants. It is adults who profited from them. It is adults who caused the nuclear accident. But it is us children who are bullied, live with a fear of becoming sick and are forced apart from families.
After the accident, no one can say that a nuclear plant is safe anymore.
In fact, no one can say to me, “Don’t worry, you’ll never be sick.”
Nevertheless, the government and TEPCO say “Rest easy, trust us. Your home town is safe now,” and make us return to the place which is not safe.
I suspect that the adults who forced us to go back to the dangerous zone will be dead and not here when we are grown-up and become sick. Isn’t that terrible? We have to live with contaminants all through our life which adults caused. I am afraid that it is too selfish of them to die without any liability. While they are alive in this world, I strongly request them to take responsibility for what they did and what they polluted in return for their profits at least.
And now, please, please don’t force us go back to the contaminated place. We never ever want to do so. The nuclear accidents changed all the lives of the evacuees as well as mine, my parents’ and my brother’s. Who wanted this? None of us. The evacuees all agree that the government and TEPCO should take responsibility.
Court of justice, please listen to us children and all the evacuees.

May 15, 2018 Posted by | Fukushima 2018 | , , | Leave a comment

Fukushima nuclear disaster from a foreign perspective: German film was shot inside exclusion zone

12 May 2018
Greetings from Fukushima, a movie on the aftermath of the 2011 earthquake and tsunami that hit Japan, was shot on location, with the director Doris Dörrie even carrying a Geiger counter to monitor radiation levels
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Rosalie Thomass (centre) in Greetings from Fukushima
 
There have been numerous responses by Japanese artists and filmmakers to the earthquake that hit Japan in 2011 and the subsequent tsunami. By contrast, Greetings from Fukushima, a 2016 feature by German director Doris Dörrie, gives a foreigner’s perspective on the disaster and its aftermath.
The film is also known as Fukushima, Mon Amour, a reference to Alain Resnais’ 1959 classic Hiroshima, Mon Amour, which was set amid the devastation of the atomic bomb. Dörrie’s film has a more straightforward structure than Resnais’ elliptical work.
In fact, Dörrie does not focus on the wider impact of the tsunami, instead limiting the story to a relationship between a troubled German girl and a grumpy Japanese woman, both of whom are trying to come to terms with events from their pasts. As Dörrie reveals more about her protagonists, the Fukushima tragedy plays into the main theme of overcoming grief to build a better future.
Marie (Rosalie Thomass) is a German street theatre artist who travels to Fukushima to entertain a small community of elderly people who have returned to a safe part of the exclusion zone around the damaged nuclear reactor. The job doesn’t work out but she strikes up an unlikely friendship with the elderly Satomi (prolific actress Kaori Momoi), who’s a geisha. Satomi moves back into her old house, which is still within the exclusion zone, and Marie reluctantly starts to visit her. By roundabout methods, the two women assuage each other’s grief.
Dörrie is no stranger to Japan, having travelled extensively around the country, and made a few films there, including 2008’s Cherry Blossoms, which also viewed the nation from a German perspective. She made a bold decision to shoot Greetings from Fukushima on location within the exclusion zone – in black-and-white – and even carried a Geiger counter to monitor radiation levels.
“We lived there. We shot there. We never left the zone through the entire shoot. Everything [you see in the film] is the real thing,” Dörrie told the Post in an interview in 2016. “Our main location is 11km away from the nuclear power plant.”
 
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Thomass and Kaori Momoi (right) in Greetings from Fukushima.
 
Greetings from Fukushima is a cool-head­ed, quietly moving drama about personal loss and recovery. Sensibly choosing to depict the story through the eyes of a young German visitor, rather than a Japanese protagonist, the film avoids making any cultural errors, although its decision to focus on a geisha, rather than someone less traditional, does tend to reinforce the stereotypical view of Japanese women.
 

May 15, 2018 Posted by | Fukushima 2018 | , | Leave a comment