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Death will kill with its poisonous wings

“This place is not a place of honor … no highly esteemed dead is commemorated here … nothing valued is here. What is here was dangerous and repulsive to us. This message is a warning about danger

by Martin McKenzie-Murray, https://www.themonthly.com.au/martin-mckenzie-murray/2026-05-08/death-will-kill-its-poisonous-wings

Very soon, likely within a few weeks, one of the world’s most interesting pieces of infrastructure will open after 22 years of construction and almost half a century of contemplation. Called Onkalo – Finnish for “cavity” – the site will be the world’s first permanent repository for nuclear waste.

By law, Finland obliges that nuclear waste produced domestically must be stored domestically. That will now occur on the island of Olkiluoto at a depth of more than 400 metres within bedrock that’s almost two billion years old. Currently, the repository area is about two square kilometres and comprised of 10 kilometres of tunnels – this number will likely quadruple before the site’s decommissioning in around 2100, when this cavern will be backfilled and sealed, creating a self-maintained nuclear sarcophagus for the approximately 100,000 years it will take for the waste’s radioactivity to have decayed to safe levels. 

Perhaps by now you’re beginning to intuit a little about a) the complexity of its design, b) the richness of its semiotic implications, and c) the sobering absence of anything approaching a precedent for this. Consider: after its decommissioning, Onkalo must remain perfectly passive, requiring no active management or monitoring for 100,000 years. Second, its profound danger must be communicated so far into the future that current languages, customs – even genetic dispositions – can no longer be assumed to exist. It’s a strange and disquieting fact that the radioactivity of our nuclear waste might outlive our languages for communicating its danger. Third, no man-made structure has ever lasted anything close to the length of time that Onkalo is hoped to be preserved for.

Let’s start with the simpler facts of the site. Olkiluoto Island was chosen for its geological stability – the low-permeability of its bedrock and its low-risk of seismic tremors. In Michael Madsen’s fascinating 2010 documentary about the site’s design, Into Eternity, one project adviser explains how time down there goes slowly, while up here, on the surface, it passes very, very quickly. 

In other words, the crystalline rock 450 metres below ground here looks much the same as it did 500,000 years ago. The surface of our planet, however, would look unrecognisable if we travelled back just 200 years. Our natural, political and material world changes often and quickly – the latter to the whims and passions of its human inhabitants, our creative and destructive ingenuities, and the gravity of civilisational entropy. The natural world, meanwhile, forever remains subject to the whims and passions of storms and droughts and a climate that’s being altered by us.

Currently, the world’s approximately half-a-million tonnes of nuclear waste is kept in temporary storage on the surface of our planet, and is thus subject to war, sabotage or natural calamity. Much safer to secure it deep down where time moves slowly. 

There is something lusciously strange and dreamlike about the projections and assumptions Onkalo’s designers were asked to make. They did nothing less than imaginatively commune with a form of humanity far into the future. 

The weirdness of this can be emphasised by offering some modest timescale. The birth of Jesus Christ was 2000 years ago. The pyramids of Giza were completed about 4500 years ago. The previous Ice Age ended almost 12,000 years ago and found the peak of its severity about 10,000 years before that. That is still nowhere near 100,000 years, the length of time into the future for which Onkalo must remain independently stable and for which the warnings we write today must travel and remain intelligible.

And so, the niche field of nuclear semiotics: how do we communicate today’s intentions to a civilisation so distant that we presume it to be almost alien and to not share our language? Preceding this question though, is another: should we even try? Can we assume that humanity will, in 80,000 years, say, possess the same curiosity we do today? That is, will they perform the same enthusiastic archaeological excavations as we do now? And, if so, will they treat the nuclear tomb as we might an Incan crypt? 

Might it be that by signposting the danger, we simply encourage their curiosity? Would warnings, even if we could guarantee their future intelligibility, serve to appropriately quell curiosity or dangerously arouse it? 

The questions only birth more questions. Given that Onkalo is so deeply buried, and its decommissioning would involve erasing all surface infrastructure, can it not be assumed that it would never be accidentally found? Or might some evidence of its existence survive? Physical evidence, or digital? Is it preposterous to think that any digital evidence of our civilisation today could survive so far into the future – when, between now and the safe decay of the waste, there is assumed to fall several new ice ages?

The designers answered at least one big question: they would, via ceramic tablets, leave warnings to our future selves about the site. Detailed warnings, in several languages unlikely to survive several epochs, have been suggested: “This place is not a place of honor … no highly esteemed dead is commemorated here … nothing valued is here. What is here was dangerous and repulsive to us. This message is a warning about danger.”

Also proposed are simple pictographs that are assumed to have a universally intelligible quality: a triangle that includes the radioactive symbol, a skull and crossbones, an arrow pointing away from the danger, and a human stick-figure running in the direction it suggests. 

Given the spookiness of radioactivity – and the oddity of communicating its dangers across a chasm of time to unknowable descendants – the project invited some strange proposals. One was rendering the surface above the tomb conspicuously forbidding: lightning bolt sculptures amongst forests of barbed wire. (But optimistically assuming their material survival, how can we assume that their symbolic charge would survive, and not simply invite curiosity as cryptic anachronisms?) Another proposal was made for genetically engineering cats who change colour in the proximity of radiation – a kind of bizarre Geiger counter. 

In 2020, the American electronic music producer (and roboticist) Skytree, aka Evan Snyder, released a track called “Atomic Priest” written with rapper Jackson Whalan. Its lyrics were about precisely the problem of communicating danger forward through “deep time”:

This is for the humans living ten thousand years from now
With radioactive capsules, thousands of feet underground
Grabbin’ the mic to warn you of these hazardous sites
For those who lack in the sight in the black of the night
The least good that we could do is form an Atomic Priesthood
To keep the future species from going where no one should
We’ve buried the mistakes of past nuclear waste
Hidden underground for future races to face
It’s our task to leave signs for civilization to trace
But who’s to say what language these generations will embrace? 

The American-Hungarian linguist Thomas Sebeok minted the term “atomic priesthood” in the early 1980s. Sebeok thought that, given that radioactivity of our waste would outlive current languages (and God knows what else), the trick to communicating our warnings about it lay in folklore. Sebeok had been commissioned by the US Department of Energy to this end. In 1980, the department had established the “Human Interference Task Force”, which was asked to “investigate the problems connected with the post-closure, final marking of a filled nuclear waste repository. The task of the HITF is to devise a method of warning future generations not to mine or drill at that site unless they are aware of the consequences of their actions.”

In 1984, Sebeok submitted his report. It was called “Communication Measures to Bridge Ten Millenia”. Semiotics were everything here, Sebeok wrote, given its relevance to “the problems of human interference and message exchanges involving long periods of time, over which spoken and written languages are sure to decay to the point of incomprehensibility, making it necessary to utilize a perspective that goes well beyond linguistics”.

Here, then, is the luscious strangeness of nuclear semiotics – a field that overlaps with our formal considerations of communicating with extraterrestrial intelligence, but which seems even stranger to me given that the aliens in this case are our future selves

Sebeok suggested that the best way to ensure the survival of our warnings deep into the future was through mythology – the enactment of annual rituals and the ratification of legends that were upheld by an “atomic priesthood”. The stories would alter over time, but perhaps the core desire of the transmission – to effectively warn off future excavators – would survive. It wouldn’t matter if the sense of hazard had degraded into superstition, long untethered to science or the danger at hand. Only that a sense of fear and repulsion was maintained.

“A ritual annually renewed can be foreseen, with the legend retold year-by-year (with, presumably, slight variations),” Sebeok wrote in his government report. “The actual ‘truth’ would be entrusted exclusively to what we might call for dramatic emphasis an ‘atomic priesthood’, that is, a commission of knowledgeable physicists, experts in radiation sickness, anthropologists, linguists, psychologists, semioticians, and whatever additional expertise may be called for now and in the future. Membership in this ‘priesthood’ would be self-selective over time.

“The best mechanism for embarking upon a novel tradition … is at present unclear. Folklore specialists consulted have advised that they know of no precedent, nor could they think of a parallel situation, except the well-known, but ineffectual, curses associated with the burial sites (viz., pyramids) of some Egyptian Pharaohs … which did not deter greedy grave-robbers from digging for ‘hidden treasure’.”

Here, then, is the weird world of considering future ones. In a few weeks, Onkalo will become operational, accepting the copper-encased tubes of nuclear waste into its deep tombs of crystalline rock, where things remain more stable than the conditions half a kilometre above.

May 21, 2026 - Posted by | Finland, Reference, wastes

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