The failure by journalists to mount a campaign to free Julian Assange, or expose the viscous smear campaign against him, is one more catastrophic and self-defeating blunder by the news media.
LONDON: The persecution of Julian Assange, along with the climate of fear, wholesale government surveillance and use of the Espionage Act to prosecute whistleblowers, has emasculated investigative journalism. The press has not only failed to mount a sustained campaign to support Julian, whose extradition appears imminent, but no longer attempts to shine a light into the inner workings of power. This failure is not only inexcusable, but ominous.
The U.S. government, especially the military and agencies such as the CIA, the FBI, the NSA and Homeland Security, have no intention of stopping with Julian, who faces 170 years in prison if found guilty of violating 17 counts of the Espionage Act. They are cementing into place mechanisms of draconian state censorship, some features of which were exposed by Matt Taibbi in the Twitter Files, to construct a dystopian corporate totalitarianism.
The U.S. and the U.K. brazenly violated a series of judicial norms and diplomatic protocols to keep Julian trapped for seven years in the Ecuadorian Embassy after he had been granted political asylum by Ecuador. The CIA, through the Spanish security firm UC Global, made recordings of Julian’s meetings with his attorneys, which alone should invalidate the extradition case. Julian has been held for more than four years in the notorious Belmarshhigh-securityprison since the British Metropolitan Police dragged him out of the embassy on April 11, 2019. The embassy is supposed to be the sovereign territory of Ecuador. Julian has not been sentenced in this case for a crime. He is charged under the Espionage Act, although he is not a U.S. citizen and WikiLeaks is not a U.S.-based publication. The U.K. courts, which have engaged in what can only be described as a show trial, appear ready to turn him over to the U.S. once his final appeal, as we expect, is rejected. This could happen in a matter of days or weeks.
On Wednesday night at the School of Oriental and African Studies, University of London, Stella Assange, an attorney who is married to Julian; Matt Kennard, co-founder and chief investigator of Declassified UK, and I examined the collapse of the press, especially with regard to Julian’s case. You can watch our discussion here.
“I feel like I’m living in 1984,” Matt said. “This is a journalist who revealed more crimes of the world’s superpower than anyone in history. He’s sitting in a maximum-security prison in London. The state that wants to bring him over to that country to put him in prison for the rest of his life is on record as spying on his privileged conversations with his lawyers. They’re on record plotting to assassinate him. Any of those things, if you told someone from a different time ‘Yeah this is what happened and he was sent anyway and not only that, but the media didn’t cover it at all.’ It’s really scary. If they can do that to Assange, if civil society can drop the ball and the media can drop the ball, they can do that to any of us.”
When Julian and WikiLeaks released the secret diplomatic cables and Iraq War logs, which exposed numerous U.S. war crimes, including torture and the murder of civilians, corruption, diplomatic scandals, lies and spying by the U.S. government, the commercial media had no choice but to report the information. Julian and WikiLeaks shamed them into doing their job. But, even as they worked with Julian, organizations such as The New York Times and The Guardian were determined to destroy him. He threatened their journalistic model and exposed their accommodation with the centers of power.
“They hated him,” Matt said of the mainstream media reporters and editors. “They went to war with him immediately after those releases. I was working for The Financial Times in Washington in late 2010 when those releases happened. The reaction of the office at The Financial Times was one of the major reasons I got disillusioned with the mainstream media.”
Julian went from being a journalistic colleague to a pariah as soon as the information he provided to these news organizations was published. He endured, in the words of Nils Melzer, at the time the U.N. Special Rapporteur on Torture, “a relentless and unrestrained campaign of public mobbing, intimidation and defamation.” These attacks included “collective ridicule, insults and humiliation, to open instigation of violence and even repeated calls for his assassination.”
Julian was branded a hacker, although all the information he published was leaked to him by others. He was smeared as a sexual predator and a Russian spy, called a narcissist and accused of being unhygienic and slovenly. The ceaseless character assassination, amplified by a hostile media, saw him abandoned by many who had regarded him a hero.
“Once he had been dehumanized through isolation, ridicule and shame, just like the witches we used to burn at the stake, it was easy to deprive him of his most fundamental rights without provoking public outrage worldwide,” Melzer concluded.
The New York Times, The Guardian, Le Monde, El Pais and Der Spiegel, all of which published WikiLeaks documents provided by Julian, published a joint open letter on Nov. 28, 2022 calling on the U.S. government “to end its prosecution of Julian Assange for publishing secrets.”
But the demonization of Julian, which these publications helped to foster, had already been accomplished……………………………………………………………………………
“This is not just about Assange,” Matt continued. “This is about all of our futures, the future for our kids and our grandkids. The things we hold dear, democracy, freedom of speech, free press, they’re very, very fragile, much more fragile than we realize. That’s been exposed by Assange. If they get Assange, the levies will break. It’s not like they’re going to stop. That’s not how power works. They don’t pick off one person and say we’re going to hold off now. They’ll use those tools to go after anyone who wants to expose them.”
“If you’re working in an environment in London where there’s a journalist imprisoned for exposing war crimes, maybe not consciously but somewhere you [know you] shouldn’t do that,” Matt said. “You shouldn’t question power. You shouldn’t question people who are committing crimes secretly because you don’t know what’s going to happen…The U.K. government is trying to introduce laws which make it explicit that you can’t publish [their crimes]. They want to formalize what they’ve done to Assange and make it a crime to reveal war crimes and other things. When you have laws and a societal-wide psyche that you cannot question power, when they tell you what is in your interest, that’s fascism.” https://chrishedges.substack.com/p/journalists-abandoned-julian-assange?utm_source=post-email-title&publication_id=778851&post_id=134153872&isFreemail=true&utm_medium=email
Wealthy donors have long funded think tanks with official-sounding names that produce research that reflects the interests of those funders (Extra!, 7/13). The weapons industry is a major contributor to these idea factories; a recent report from the Quincy Institute (6/1/23) demonstrates just how much influence war profiteers have on the national discourse.
The Quincy Institute—whose own start-up funding came mainly from George Soros and Charles Koch—looked at 11 months of Ukraine War coverage in the New York Times, Washington Post and Wall Street Journal, from March 1, 2022, through January 31, 2023, and counted each time one of 33 leading think tanks was mentioned. Of the 15 think tanks most often mentioned in the coverage, only one—Human Rights Watch—does not take funding from Pentagon contractors. Quincy’s analysis found that the media were seven times more likely to cite think tanks with war industry ties than they were to cite think tanks without war industry ties.
With 157 mentions each, the top two think tanks were the Atlantic Council and the Center for Strategic and International Studies (CSIS). Both of these think tanks receive millions from the war industry. The Atlantic Council has long been the brain trust of NATO, the military organization whose expansion towards Russia’s borders was a critical factor in Russia’s decision to invade Ukraine. (See FAIR.org, 3/4/22.) Both think tanks receive hundreds of thousands of dollars from Raytheon and Lockheed Martin, companies which have already been awarded billions of dollars in Pentagon contracts as a result of the war in Ukraine.
CSIS was revealed in a New York Times expose (8/7/16) to produce content that reflected the weapons industry priorities of its funders. It also “initiated meetings with Defense Department officials and congressional staff to push for the recommendations” of military funders.
Think tank media mentions related to US military support for Ukraine (Quincy Institute, 6/1/23).
In addition to showing think tanks’ enormous influence, the Quincy report highlights how difficult it is to trace just how much war industry funding these think tanks receive, and exactly whose interests they represent. “Think tanks are not required to disclose their funders,” study author Ben Freeman wrote, and “many think tanks list donors without indicating the amount of donations and others just list donors in ranges (e.g., $250,000 to $499,999).”
While the study was not aimed at establishing a causal connection between weapons industry funding and the think tanks’ positions, it acknowledges that funding typically plays a major role in shaping the institutions. “Funders,” Freeman wrote, “are able to influence think tank work through the mechanisms of censorship, self-censorship, and perspective filtering.” In other words, people with points of view antithetical to the funders likely would not last long in these think tanks.
Causal or not, there is a marked correlation between war industry funding and hawkish positions. “Think tanks with financial ties to the arms industry often support policies that would benefit the arms industry,” the report noted. For example, one Atlantic Council article (2/6/23) advocated against “any compromise with the Kremlin,” while another, titled “Equity for Ukraine” (1/16/23), argued that Ukraine has a “right to destroy critical infrastructure in Russia and plunge Moscow and other cities into darkness.”
Earlier this year, the president of the American Enterprise Institute—fifth on the list, with 101 mentions—was cited numerous times in the Wall Street Journal (e.g., 1/20/23, 1/25/23) arguing that “tanks and armored personnel carriers are essential,” and agreeing to provide them will “let Ukraine know that it can afford to risk and expend more of its current arsenal of tanks in counteroffensive operations because it can count on getting replacements for them.” AEI (6/9/23) has gone so far as to suggest that the US give tactical nuclear weapons to Ukraine, something that could easily escalate to all-out nuclear war.
The Quincy Institute did not find a single instance in which a media organization disclosed the fact that its source received funding from the war industry, obscuring how interested parties may be shaping coverage or promoting policy recommendations that directly benefit their funders.
The study found that for the few think tanks that receive little or no Pentagon contractor funding, positions on the war are dramatically different. With less influence from the war industry, the study found, these organizations emphasize “expository rather than prescriptive analysis, support for diplomatic solutions, and a focus on the impact of the war on different parts of society and the region.”
Human Rights Watch, which takes no war industry money, “was agnostic on the issue of providing US military assistance to Ukraine,” and instead “focused on human rights abuses in the conflict.” The Carnegie Endowment, which receives less than 1% of its funding from that industry, was never quoted advocating an increase in military spending or weapons sales during the Ukraine War.
One critical way that corporate news media manufactures consent for US foreign policy is by carefully selecting the sources and voices that they present, and narrowing the spectrum of debate. While this can take the form of uncritically repeating pronouncements from government officials, this research demonstrates that there are more subtle ways in which media outlets can push a corporate/state agenda under the guise of independent journalism.
The Ukrainian president has signed a controversial bill outlawing the import of Russian and Belarusian publications
Ukrainian President Vladimir Zelensky announced on Thursday that he had signed a law making it illegal to import and distribute Russian and Belarusian language products in Ukraine. However, some Ukrainian officials have pointed out that the step could hinder Kiev’s plans to join the EU.
The move comes after Ukrainian citizens registered an online petition on the official presidential website asking for the ban, back in May. The petition reached the 25,000-vote threshold required for it to be formally considered by the head of state.
The author of the petition noted that the Ukrainian parliament had already approved the law on June 19, 2022, but that Zelensky had never signed the bill. As a result, Russian books continued to be sold in Ukraine, which undermines “the information security of the state and the economic foundations of Ukrainian book publishing,” according to the petition.
“I consider the law to be correct,” Zelensky stated in a Telegram post announcing that he had finally signed the legislation.
He noted, however, that the text of the legislation had been sent to EU institutions for an “additional assessment” of whether it could breach Kiev’s obligations to protect minority rights, particularly linguistic ones, in the context of Ukraine’s application for EU membership.
In a written response to the petition last month, Zelensky explained that there had been a “number of reservations” that prevented the law from being adopted.
The president stated that Ukraine’s Ministry of Justice had proposed applying the right of veto to the bill, arguing that completely banning the import and distribution of Russian publications would contradict several articles of Ukraine’s constitution.
Additionally, Zelensky said that despite agreeing with the nature of the law, the Ukrainian Foreign Ministry had also advised vetoing the bill. The ministry had warned that its current version “does not meet the norms and standards of the EU in the field of human rights, including freedom of opinion, protection of the rights of national minorities, prohibition of discrimination on the basis of language, and therefore may complicate the process of negotiations on Ukraine’s accession to the European Union.”
Julian Assange’s legal options have nearly run out. He could be extradited to the U.S. this week. Should he be convicted in the U.S., any reporting on the inner workings of power will become a crime.
High Court Judge Jonathan Swift — who previously worked for a variety of British government agencies as a barrister and said his favorite clients are “security and intelligence agencies” — rejected two applications by Julian Assange’s lawyers to appeal his extradition last week. The extradition order was signed last June by Home Secretary Priti Patel. Julian’s legal team have filed a final application for appeal, the last option available in the British courts. If accepted, the case could proceed to a public hearing in front of two new High Court judges. If rejected, Julian could be immediately extradited to the United States where he will stand trial for 18 counts of violating the Espionage Act, charges that could see him receive a 175-year sentence, as early as this week.
The only chance to block an extradition, if the final appeal is rejected, as I expect it will be, would come from the European Court of Human Rights (ECtHR). The parliamentary arm of the Council of Europe, which created the ECtHR, along with their Commissioner for Human Rights, oppose Julian’s “detention, extradition and prosecution” because it represents “a dangerous precedent for journalists.” It is unclear if the British government would abide by the court’s decision — even though it is obligated to do so — if it ruled against extradition, or if the U.K. would extradite Julian before an appeal to the European court can be heard. Julian, once shipped to the U.S., would be put on trial in the U.S. District Court for the Eastern District of Virginia where most espionage cases have been won by the U.S. government.
Judge Vanessa Baraitser at Westminster Magistrates’ Court refused to authorize the U.S. government’s extradition request in Jan. 2021 because of the severity of the conditions Julian would endure in the U.S. prison system.
“Faced with the conditions of near total isolation without the protective factors which limited his risk at [Her Majesty’s Prison] Belmarsh, I am satisfied the procedures described by the U.S. will not prevent Mr. Assange from finding a way to commit suicide,” said Baraitser when handing down her 132-page ruling, “and for this reason I have decided extradition would be oppressive by reason of mental harm and I order his discharge.”
Baraitser’s decision was overturned after an appeal by U.S. authorities. The High Court accepted the conclusions of the lower court about increased risk of suicide and inhumane prison conditions. But it also accepted four assurances in U.S. Diplomatic Note no. 74, given to the court in Feb. 2021, which promised Julian would be well treated. The U.S. government claimed that its assurances “entirely answer the concerns which caused the judge [in the lower court] to discharge Mr. Assange.” The “assurances” state that Julian will not be subject to Special Administrative Measures (SAMs).
They promise that Julian, an Australian citizen, can serve his sentence in Australia if the Australian government requests his extradition. They promise he will receive adequate clinical and psychological care. They promise that, pre-trial and post-trial, Julian will not be held in the Administrative Maximum Facility (ADX) in Florence, Colorado. No one is held pre-trial in ADX Florence. But it sounds reassuring. ADX Florence is not the only supermax prison in the U.S. Julian can be placed in one of our other Guantanamo-like facilities in a Communications Management Unit (CMU). CMUs are highly restrictive units that replicate the near total isolation imposed by SAMs.
None of these “assurances” are worth the paper they are written on. All come with escape clauses. None are legally binding. Should Julian do “something subsequent to the offering of these assurances that meets the tests for the imposition of SAMs or designation to ADX” he will, the court conceded, be subject to these harsher forms of control.
If Australia does not request a transfer it “cannot be a cause for criticism of the USA, or a reason for regarding the assurances as inadequate to meet the judge’s concerns,” the ruling read. And even if that were not the case, it would take Julian 10 to 15 years to appeal his sentence up to the U.S. Supreme Court, which would be more than enough time to destroy him psychologically and physically.
No doubt the plane waiting to take Julian to the U.S. will be well stocked with blindfolds, sedatives, shackles, enemas, diapers and jumpsuits used to facilitate “extraordinary renditions” conducted by the CIA.
The extradition of Julian will be the next step in the slow-motion execution of the publisher and founder of WikiLeaks and one of the most important journalists of our generation. It will ensure that Julian spends the rest of his life in a U.S. prison. It will create legal precedents that will criminalize any investigation into the inner workings of power, even by citizens from another country. It will be a body blow to our anemic democracy, which is rapidly metamorphosing into corporate totalitarianism.
I am as stunned by this full frontal assault on journalism as I am by the lack of public outrage, especially by the media. The very belated call from The New York Times, The Guardian, Le Monde, Der Spiegel and El País — all of whom published material provided by WikiLeaks — to drop the extradition charges is too little too late. All of the public protests I have attended in defense of Julian in the U.S. are sparsely attended. Our passivity makes us complicit in our own enslavement.
Julian’s case, from the start, has been a judicial farce.
Former Ecuadorian President Lenin Moreno terminated Julian’s rights of asylum as a political refugee, in violation of international law. He then authorized London Metropolitan Police to enter the Ecuadorian Embassy — diplomatically sanctioned sovereign territory — to arrest a naturalized citizen of Ecuador. Moreno’s government, which revoked Julian’s citizenship, was granted a large loan by the International Monetary Fund for its assistance. Donald Trump, by demanding Julian’s extradition under the Espionage Act, criminalized journalism, in much the same way Woodrow Wilson did when he shut down socialist publications such as The Masses.
The hearings, some of which I attended in London and others of which I sat through online, mocked basic legal protocols. They included the decision to ignore the CIA’s surveillance and recording of meetings between Julian and his attorneys during his time as a political refugee in the embassy, eviscerating attorney-client-privilege. This alone should have seen the case thrown out of court. They included validating the decision to charge Julian, although he is not a U.S. citizen, under the Espionage Act. They included Kafkaesque contortions to convince the courts that Julian is not a journalist. They ignored Article 4 of the U.K.-U.S. extradition treaty that prohibits extradition for political offenses. I watched as the prosecutor James Lewis, representing the U.S., gave legal directives to Judge Baraitser, who promptly adopted them as her legal decision.
The judicial lynching of Julian has far more in common with the dark days of Lubyanka than the ideals of British jurisprudence.
The debate over arcane legal nuances distracts us from the fact that Julian has not committed a crime in Britain, other than an old charge of breaching bail conditions when he sought asylum in the Ecuadorian Embassy. Normally this would entail a fine. He was instead sentenced to a year in Belmarsh prison and has been held there since April 2019.
The decision to seek Julian’s extradition, contemplated by Barack Obama’s administration, was pursued by the Trump administration following WikiLeaks’ publication of the documents known as Vault 7, which exposed the CIA’s cyberwarfare programs designed to monitor and take control of cars, smart TVs, web browsers and the operating systems of most smart phones, as well as Microsoft Windows, MacOS and Linux.
Julian, as I noted in a column filed from London last year, is targeted because of the Iraq War Logs, released in Oct. 2010, which document numerous U.S. war crimes, including images seen in the CollateralMurder video, of the gunning down of two Reuters journalists and 10 other civilians and severely injuring two children.
He is targeted because he made public the killing of nearly 700 civilians who had approached too closely to U.S. convoys and checkpoints, including pregnant women, the blind and deaf, and at least 30 children
He is targeted because he exposed more than 15,000 unreported deaths of Iraqi civilians and the torture and abuse of some 800 men and boys, aged between 14 to 89, at Guantánamo Bay detention camp.
He is targeted because he showed us that Hillary Clinton in 2009 ordered U.S. diplomats to spy on U.N. Secretary General Ban Ki-moon and other U.N. representatives from China, France, Russia, and the U.K., spying that included obtaining DNA, iris scans, fingerprints, and personal passwords, all part of the long pattern of illegal surveillance that included eavesdropping on U.N. Secretary General Kofi Annan in the weeks before the U.S.-led invasion of Iraq in 2003.
He is targeted because he exposed that Obama, Hillary Clinton and the CIA backed the June 2009 military coup in Honduras that overthrew the democratically-elected president Manuel Zelaya, replacing him with a murderous and corrupt military regime.
He is targeted because he released documents that revealed the United States secretly launched missile, bomb and drone attacks on Yemen, killing scores of civilians.
He is targeted because he made public the off-the-record talks Hillary Clinton gave to Goldman Sachs, talks for which she was paid $657,000, a sum so large it can only be considered a bribe, as well as her private assurances to Wall Street that she would do their bidding while promising the public financial regulation and reform.
For revealing these truths alone he is guilty.
The U.S. court system is even more draconian than the British court system. It can use SAMs, anti-terrorism laws and the Espionage Act to block Julian from speaking to the public, being released on bail, or seeing the “secret” evidence used to convict him.
The CIA was created to carry out assassinations, coups, torture, kidnapping, blackmail, character assassination and illegal spying. It has targeted U.S. citizens, in violation of its charter. These activities were exposed in 1975 by the Church Committee hearings in the Senate and the Pike Committee hearings in the House.
Working with UC Global, the Spanish security firm in the embassy, the CIA put Julian under 24-hour video and digital surveillance. It discussed kidnapping and assassinating him while he was in the embassy, which included plans of a shoot-out on the streets with involvement by London Metropolitan Police. The U.S. allocates a secret black budget of $52 billion a year to hide multiple types of clandestine projects carried out by the National Security Agency, the CIA, and other intelligence agencies, usually beyond the scrutiny of Congress. All these clandestine activities, especially after the attacks of 9/11, have massively expanded.
Senator Frank Church, after examining the heavily redacted CIA documents released to his committee, defined the CIA’s covert activity as “a semantic disguise for murder, coercion, blackmail, bribery, the spreading of lies.”
The CIA and intelligence agencies, along with the military, all of which operate without effective Congressional oversight, are the engines behind Julian’s extradition. Julian inflicted, by exposing their crimes and lies, a grievous wound. They demand vengeance. The control these forces seek abroad is the control they seek at home.
Julian may soon be imprisoned for life in the U.S. for journalism, but he won’t be the only one.
New film spotlights women’s experiences with the Three Mile Island nuclear accident
By Karl Grossman
Radioactive: The Women of Three Mile Island is the title of a newly-released documentary feature film directed, written and produced by award-winning filmmaker Heidi Hutner, a professor of environmental humanities at Stony Brook University, a “flagship” school of the State University of New York.
With greatly compelling facts and interviews, she and her also highly talented production team have put together a masterpiece of a documentary film.
It connects the proverbial dots of the 1979 Three Mile Island nuclear plant disaster—doing so brilliantly.
The documentary has already received many film awards and has had a screening in recent months in New York City—winning the “Audience Award for Best Documentary” at the Dances With Films Festival—and Harrisburg, Pennsylvania; Sarasota, Florida; Dubuque, Iowa; Long Island, New York; First Frame International Film Festival in New York City; the Environmental Film Festival in Washington D.C., and is soon the featured film at Kat Kramer’s #SHEROESForChange Film Festival in Los Angeles and the Cinequest Film Festival in San Jose, California, as well as the Uranium Film Festival in Rio de Janeiro in Brazil. And there will be tours across the U.S.
Resident after resident of the area around Three Mile Island is interviewed and tells of widespread cancer that has ensued in the years that have followed the accident—a cancer rate far beyond what would be normal. Accounts shared in the documentary are heartbreaking.
A whistleblower who had worked at the nuclear plant tells Hutner of the deliberate and comprehensive attempt by General Public Utilities, which owned TMI, to cover up the gravity of the accident and its radioactive releases, especially of cancer-causing Iodine-131 and Xenon 133.
An attorney, Lynne Bernabei, involved in litigation in the wake of the accident, says the Three Mile Island “cover-up was one of the biggest cover-ups in history.” Meanwhile, the U.S. Nuclear Regulatory Commission which is “supposed to protect the public” has then and since been just “interested in is promoting the [nuclear] industry. This is corrupt,” says attorney Joanne Doroshow, now a professor at New York Law School and director of the Center for Justice & Democracy. Many examples of this are presented.
The documentary’s focus on women includes women being far more at risk to the effects of radioactivity than men. Mary Olson, a biologist, founder, and director of the Gender & Radiation Impact Project, says in the film that those setting radiation standards in the U.S. from the onset of nuclear technology in 1942, based impacts on a “25 to 30 years-old” male “defined as Caucasian.” She said, “It has come to be known as the ‘Reference Man.” However, Olson cites research findings that “radiation is 10 times more harmful to young females” and “50 percent more harmful to a “comparable female” than it is to “Reference Man” who is “more resistant” to radioactivity than a woman.
There’s the scientist Dr. Aaron Datesman, who is now pursuing a major chromosomal study regarding the impact of the disaster on the health of people in the area and how people have been harmed despite the denials of the nuclear industry. This study is based on his recent ground-breaking work, “Radiological Shot Noise,” in Nature.
The mainstream media continues to beat the drums of war while voices of truth and reason are being silenced, writes Dr William Briggs.
JOHN PILGER, in highlighting the manipulation of our media, called on people to ‘speak up’.
The drive to war and the demonisation of China have seen many people speak up and speak out. That same manipulated media has muffled those voices and pushed dissent to the margins. Journals and websites like this one are increasingly becoming almost samizdat publications. The mainstream media has played an important role, not only in silencing dissident voices but in convincing the public that there is little effective opposition.
A glance at the anti-AUKUS website shows that over 1,000 individuals and more than 200 organisations have thus far lent their support for a rational and sane response to the rising threat of war with China and obscene military spending.
There are many important voices among the signatories but their voices are not regularly heard in our media. Their words do not appear in the major daily newspapers, regardless of how well-credentialed they might be. Our former Prime Minister, Paul Keating, has effectively been relegated to the sidelines for voicing a position that does not fit with the official line.
And, while the collective wisdom of so many is ignored, the war-mongers of the Australian Strategic Policy Institute (ASPI) are given free rein.
‘In so many ways, the product of ASPI is critically important, not only in informing the Australian public, but those of us in government who seek to play a role in this space.’
Marles states that the Australian public must be informed. He recognises this to be ‘critically important’ but there is an unhealthy degree of censorship that is impossible to ignore. The information that the public is allowed to see, hear and read is the information that is filtered. There is a strong sense of creeping authoritarianism in all of this………………………………………..
The intellectuals, essayists, poets and novelists that might speak up and speak out remain, either silent or silenced by the mainstream media. It is not that they are not there. It is not that many thousands of ordinary people do not share the view that things are terribly wrong. The media has played and is playing a bad role. It is media in name only. It has abandoned any semblance of independence. It is so hard to speak out if you are kept captive; if ideas are filtered and disinformation passes for truth.
Pilger rightly calls on those with a conscience to speak out. What needs to be remembered is that the marketplace for ideas has shrunk……………………..Truth has become the property of those who control the media.
Pilger has been sidelined. Film-maker David Bradbury, twice nominated for an Academy Award, is now touring his latest documentary, The Road to War, screening it wherever an audience can be found. Even so, its circulation and therefore its audience remains limited.
American vengefulness would see WikiLeaks founder Julian Assange die in prison. Successive Australian governments have behaved equally badly, but the USA calls the shots. Assange’s crime? To report the truth. The truth, however, is not what Richard Marles is thinking of when he talks of the ‘critical importance’ of informing the public.
…………………………John Pilger’s call, for us all to speak up, has never had more urgency. The decades since the end of WWII and the proclamation of the U.S.-inspired rules-based order have seen millions die in American-led wars.
The New York Times has been forced to very, very belatedly deal with something which had long been obvious and known to many independent analysts and media outlets, but which has been carefully shielded from the mainstream masses in the West for obvious reasons.
The surprising Monday Times headline said that “Nazi Symbols on Ukraine’s Front Lines Highlight Thorny Issues of History.” This acknowledgement comes after literally years of primarily indy journalists and geopolitical commentators pointing out that yes indeed… Ukraine’s military and paramilitary groups, especially those operating in the east since at least 2014, have a serious Nazi ideology problem. This has been exhaustively documented, again, going back years.
But the report, which merely tries to downplay it as a “thorny issue” of Ukraine’s “unique” “History” – suggests that the real problem for Western PR is fundamentally that it’s being displayed so openly. Ukrainian troops are being asked to cover those Nazi symbols please!–as Matt Taibbi sarcastically quipped in commenting on the report.
The authors of the NYT report begin by expressing frustration over the optics of Nazi symbols being displayed so proudly on many Ukrainian soldiers’ uniforms. Suggesting that many journalistic photographs which have in some cases been featured in newspapers and media outlets worldwide (typically coupled with generally positive articles on Ukraine’s military) are merely ‘unfortunate’ or misleading, the NYT report says, “In each photograph, Ukrainians in uniform wore patches featuring symbols that were made notorious by Nazi Germany and have since become part of the iconography of far-right hate groups.”
NATO itself has in the recent past been forced to delete images on its official social media accounts due to Nazi imagery being present among Ukrainian troops during photo shoots.
The following line from the report says everything you need to know about the so-called “paper of record” and its one-sided and ultra-simplistic coverage of what many are finally waking up to realize is a war with a deeply complex reality (to say the least), and far from the MSM’s goodies vs. baddies Hollywoodesque narrative of Putler vs. the free world which is typical of networks from CNN to Fox to NBC…
“In November, during a meeting with Times reporters near the front line, a Ukrainian press officer wore a Totenkopf variation made by a company called R3ICH (pronounced “Reich”). He said he did not believe the patch was affiliated with the Nazis. A second press officer present said other journalists had asked soldiers to remove the patch before taking photographs.”
Oops!
…………..The iconography of these groups, including a skull-and-crossbones patch worn by concentration camp guards and a symbol known as the Black Sun, now appears with some regularity on the uniforms of soldiers fighting on the front line, including soldiers who say the imagery symbolizes Ukrainian sovereignty and pride, not Nazism.
Some are writing more appropriate and apt headlines for the NYT story…
Only very recently Ukraine’s Defense Ministry and even President Zelensky’s office was caught in the act:
In April, Ukraine’s Defense Ministry posted a photograph on its Twitter account of a soldier wearing a patch featuring a skull and crossbones known as the Totenkopf, or Death’s Head. The specific symbol in the picture was made notorious by a Nazi unit that committed war crimes and guarded concentration camps during World War II.
The patch in the photograph sets the Totenkopf atop a Ukrainian flag with a small No. 6 below. That patch is the official merchandise of Death in June, a British neo-folk band that the Southern Poverty Law Center has said produces “hate speech” that “exploits themes and images of fascism and Nazism.”
To be expected, the Times still tries to run cover while desperately seeking to ‘reassure’ its audience by writing that “In the short term, that threatens to reinforce Putin’s propaganda and giving fuel to his false claims that Ukraine must be ‘de-Nazified’ — a position that ignores the fact that Ukrainian President Volodymyr Zelenskyy is Jewish.”
“Social media is the modern equivalent of the town square. How can democracy function if only some candidates have access to it?”
Democratic presidential candidate Robert F. Kennedy Jr revealed on Thursday that when his campaign uses the TeamKennedy email address to set up accounts on Instagram, they are automatically banned from Instagram for 180 days.
Kennedy Jr praised Twitter for allowing his campaign to have a voice, adding, “To silence a major political candidate is profoundly undemocratic. Social media is the modern equivalent of the town square. How can democracy function if only some candidates have access to it?”
Chet Long, Founder and Senior Partner of Web360 Global, announced he would be hosting the upcoming Twitter Spaces event, calling it a “Presidential Town Hall,” this coming Monday at 2 PM.
Robert F. Kennedy Jr announced in April that he is running as a Democrat and challenging President Joe Biden for the Democratic nomination for President of the United States. While Kennedy Jr does have his own personal Instagram account with 11.9 thousand followers, his tweet alleges that Instagram is blocking his campaign email from setting up new accounts. Instagram’s automated reply states: “Your account, or activity on it, doesn’t follow Community Guidelines on account integrity and authentic identity.”……………………………. https://thepostmillennial.com/instagram-bans-dem-presidential-candidate-rfk-jr-from-creating-new-campaign-accounts
The new eight-part drama covers the build up and fallout of a tragic episode in Japanese history, Esquire, By Laura Martin 01 JUNE 2023
“………………………………… The Days is an eight-part drama that captures the nuclear meltdown that occurred in Fukushima, Japan, in early 2011. It captures the incident from three different perspectives and, like Craig Mazin’s dramatisation of Chernobyl, “seeks to answer this question based on the true events of seven intense days from the perspectives of government, corporate organisations, and the people on site risking their lives,” according to the official synopsis.
But what actually happened in the Fukushima nuclear blast?…………………………………..
The Fukushima disaster is one of only two nuclear explosions to be rated a 7 (the highest rating) on the International Nuclear Event Scale scale, with Chernobyl being the second.
Who was at fault?
According to the BBC: “An independent investigation set up by Japan’s parliament concluded that Fukushima was ‘a profoundly man-made disaster’, blaming the energy company for failing to meet safety requirements or to plan for such an event. However, in 2019 a Japanese court cleared three former Tepco executives of negligence in what was the only criminal case to come out of the disaster.”
Back in 2012, the then-prime minister Yoshihiko Noda said that “the state shared the blame for the disaster”, but in 2017, a court case ruled that “the government bore partial responsibility” and that people who had been evacuated from the area at the time should be paid compensation.
What is happening in Fukushima now?
According to Associated Press: “Japan is preparing to release a massive amount of treated radioactive wastewater [from the plant] into the sea.”
130 tons of contaminated water created daily is collected, treated and then stored in 1,000 tanks on the site, and about 70 per cent of the ALPS-treated water, named after the machines used to filter it, and “still contains Cesium and other radionuclides that exceed releasable limits.” And Tepco’s plan is to release it into the sea surrounding the area, in the hope that the tanks won’t be hit by another earthquake or tsunami before then. Greenpeace have said of this planned action: “The Japanese government’s decision to discharge Fukushima contaminated water ignores human rights and international maritime law”
Meanwhile, fatal amounts of radioactive melted nuclear fuel remain inside the reactors and the decommissioning of the plant is proving near to impossible.
British counter-terror police detained journalist Kit Klarenberg upon his arrival at London’s Luton airport and subjected him to an extended interrogation about his political views and reporting for The Grayzone.
As soon as journalist Kit Klarenberg landed in his home country of Britain on May 17, 2023, six anonymous plainclothes counter-terror officers detained him. They quickly escorted him to a back room, where they grilled him for over five hours about his reporting for this outlet. They also inquired about his personal opinion on everything from the current British political leadership to Russia’s invasion of Ukraine.
At one point, Klarenberg’s interrogators demanded to know whether The Grayzone had a special arrangement with Russia’s Federal Security Bureau (FSB) to publish hacked material.
During Klarenberg’s detention, police seized the journalist’s electronic devices and SD cards, fingerprinted him, took DNA swabs, and photographed him intensively. They threatened to arrest him if he did not comply.
Klarenberg’s interrogation appears to be London’s way of retaliating for the journalist’s blockbuster reports exposing major British and US intelligence intrigues. In the past year alone, Klarenberg revealed how a cabal of Tory national security hardliners violated the Official Secrets Act to exploit Brexit and install Boris Johnson as prime minister. In October 2022, he earned internationalheadlines with his exposé of British plans to bomb the Kerch Bridge connecting Crimea to the Russian Federation. Then came his report on the CIA’s recruitment of two 9/11 hijackers this April, a viral sensation that generated massive social media attention.
Among Klarenberg’s most consequential exposés was his June 2022 report unmasking British journalist Paul Mason as a UK security state collaborator hellbent on destroying The Grayzone and other media outlets, academics, and activists critical of NATO’s role in Ukraine.
Because Klarenberg’s reporting on Mason relied heavily on leaked emails, Mason falsely accused him of “assisting a Russian state-backed hack-and-leak disinformation campaign.” Mason has also reported the leak of his emails to the British police………………………………………………………………………………….
While reporting on leaked material, Klarenberg engaged in the same journalistic practice that the West’s most prominent legacy newspapers, from The New York Times to The Washington Post, depend on to break news themselves. In fact, Thomas Rid, a self-styled disinformation expert and professor of Strategic Studies at Johns Hopkins University, has stated that journalists “should not shy away” from covering the leaks first reported by Klarenberg.
It therefore appears that British authorities did not detain Klarenberg for any legal breaches, but because he reported factual stories that exposed the national security state’s own violations of both domestic and international law, as well as the malign plots of its media lackeys.
Interrogated under Counter-Terror provisions, grilled about non-existent Russian ties………………………………………
………. police interrogators homed in on Klarenberg’s work with The Grayzone. “They asked which publications I wrote for, and I told them I wrote for many,” he said. “One even remarked they’d never previously heard of ‘MintPress Zone.’ Their overwhelming, if not exclusive, interest was in The Grayzone.”
……Then came a blizzard of questions relating to The Grayzone: How much was Klarenberg paid by this publication, how often, and into which bank account? Who owned the site? How much contact did he have with Max Blumenthal, the author of this article and editor of The Grayzone? Had he met Blumenthal in person?
The counter-terror officers then rattled off a series of unfounded questions related to Russia: Does The Grayzone have an agreement of any kind with Russia’s Federal Security Bureau (FSB) to publish hacked material? Has Klarenberg knowingly been in contact with any FSB operatives? Is he in touch with current or former personnel of Russian state media? Who owns The Grayzone and is it sponsored by Russia?
(As has been publicly stated many times, The Grayzone is a fully independent outlet founded by me, Max Blumenthal. Unlike many of our adversaries, this outlet does not accept funding or support from any state, including Russia.)
At this point, the officers took Klarenberg’s bank cards out of the room for an extended period. They also seized his camera memory cards and sims, demanding he provide pin codes to open them. “What was done with my bank cards, I do not know,” he remarked. “The same for the SDs – what they got off these old and barely used cards was unclear.”……………………………………………………..
Throughout the interview, the counter-terrorism police probed Klarenberg aggressively on his political affiliations and beliefs. Was he involved in any activist causes in Belgrade? What did he think of the Russian government?
Japan’s Fukushima Daiichi nuclear plant disaster, caused by the 2011 Tohoku earthquake and tsunami, is the focus of this series produced by Warner Bros Japan
Koji Yakusho stars as Yoshida, who leads the response efforts on the ground, while Fumiyo Kohinata plays the Japanese prime minister
The Fukushima Daiichi nuclear power plant disaster of 2011 is the subject of The Days, an enthralling new drama series starring Koji Yakusho, Fumiyo Kohinata and Yutaka Takenouchi.
The eight-episode series, produced by Warner Bros Japan, re-enacts the catastrophic impact of the Tohoku earthquake, the largest such event recorded in Japan’s history, which caused a giant tsunami to hit the country’s eastern seaboard on the afternoon of March 11, 2011.
The combination of these events, which struck the power plant with great force and in quick succession, triggered the most serious nuclear accident since the Chernobyl disaster of 1986.
Creator Jun Masumoto cites three specific publications as primary sources: The Yoshida Testimony, station manager Masao Yoshida’s first-hand account of events; the official Fukushima Nuclear Accident Analysis Report; and journalist Ryusho Kadota’s bestselling book On the Brink: The Inside Story of Fukushima Daiichi, for which he interviewed more than 90 people who responded to the accident.
Australians are particularly vulnerable to propaganda because Australia has the most concentrated media ownership in the western world, dominated by a powerful duopoly of Nine Entertainment (who airs 60 Minutes) and the Murdoch-owned News Corp. This vulnerability is being fully exploited as the time comes for the western empire to beat the war drums against China.
“It might sound like twisted logic, but military forces everywhere argue that the greater the firepower they possess, the greater the chance of maintaining peace,” opens 60 Minutes Australia’s Amelia Adams. “In other words, massive weaponry is the best deterrent to war. Right now the theory is being tested like never before, and much of it is happening in Australia’s backyard, the Indo-Pacific region. The United States wants the world, and more particularly China, to know of its increasing presence there, and to do that it’s putting on a spectacular show.”
What follows is 19 minutes of overproduced footage displaying this “massive weaponry” while Adams oohs and ahhs and gives slobberingly sycophantic interviews to US military officials.
“There’s something utterly mesmerising about the F-35 jet,” Adams moans. “The sound, the heat, and the power put this supersonic stealth fighter in a league of its own.”
“Colonel these are some very impressive machines you’re in charge of!” she gushes to an officer on an aircraft carrier.
“Yes ma’am,” the colonel replies.
Jesus lady, do your orgasming off camera.
Contrast this glowing ecstatic revelry with Adams’ open hostility later in the segment toward a Chinese think tanker named Henry Wang, claiming that he was trying to “rewrite history” for dismissing panic about a Chinese military buildup by pointing out (100 percent correctly) that China is spending a lower percentage of its GDP on its military than western nations.
“Every command, every maneuver, is being fine-tuned on this vast blue stage, where China has proven to be a bad actor, playing a long game of intimidating Pacific nations,” Adams proclaims over helicopter footage of US war ships. “But the US and its allies aren’t having it, bolstering their defenses — and it’s an impressive display.”
I defy you to find me footage more brazenly propagandistic than this, from any point in history. This is supposed to be a news show, run by people who purport to be journalists, yet they’re engaging in propaganda that looks like it came from a Sacha Baron Cohen spoof of a third world dictatorship.
As I never tire of pointing out, the claim that the US has been militarily encircling its number one geopolitical rival defensively is the single dumbest thing the empire asks us to believe these days. The US is surrounding China with war machinery in ways that it would consider an outrageously aggressive provocation if the same thing were done in its neck of the woods, which means the US is plainly the aggressor in this standoff, and China is plainly reacting defensively to those aggressions.
While the first segment unquestioningly regurgitates Pentagon narratives and gives supportive interviews to military officials, the second segment unquestioningly regurgitates talking points from the western intelligence cartel and gives supportive interviews to Five Eyes spooks.
“Showing off deadly weaponry in massive war games is a tactic China and the United States both use to try to avoid full-on combat,” says 60 Minutes Australia’s Nick McKenzie in introduction. “But the truth is the two countries, as well as other nations including Australia, are already battling it out in an invisible war. There are no frontline soldiers but there are significant skirmishes. Until now these conflicts have been kept quiet, but key members of a secretive alliance of top cops from Australia, the United States, the United Kingdom, Canada and New Zealand are about to change that.”
“Their group is called the Five Eyes, and tonight they want you to know what they see,” says McKenzie, which is the same as saying “We’re telling you what the Five Eyes intelligence agencies told us to tell you.”
McKenzie literally just assembles a bunch of Five Eyes officials to tell Australians that China is bad and dangerous, and then disguises the western intelligence cartel advancing its own information interests as a real news story.
“There is one threat that alarms our partners more than any other,” McKenzie says over dramatic music, asking “Which state actor is the key threat to democracy in Australia and amongst the Five Eyes partners?” and presenting a montage of western intelligence operatives answering (you guessed it) China.
“The Americans describe a growing menace on our doorstep flowing from China’s increasing influence in the region,” McKenzie says, before asking an American official, “Do you see the Chinese state preying on Pacific island nations?”
“I believe so, yes,” the official responds.
Western journalism, ladies and gents.
Australians are particularly vulnerable to propaganda because Australia has the most concentrated media ownership in the western world, dominated by a powerful duopoly of Nine Entertainment (who airs 60 Minutes) and the Murdoch-owned News Corp. This vulnerability is being fully exploited as the time comes for the western empire to beat the war drums against China.
We keep being hammered by this narrative that “massive weaponry is the best deterrent to war,” when all facts in evidence say the exact opposite is true. It was the military encroachment against Russia and the conversion of Ukraine into a NATO military asset which provoked Putin to invade Ukraine, and all the militarization against China that we are seeing is only inflaming tensions and making war more likely.
And, I mean, of course it is; even a casual glance at the Cuban Missile Crisis reveals that powerful nations don’t take kindly to having menacing forces placed near their borders. So much of the propaganda indoctrination we’re subjected to in the 2020s revolves around convincing people to believe that Russia and China should react completely differently than the way the US would react if foreign proxy forces were being amassed along its borders.
So yes, Amelia Adams, claiming that aggression and militarism is the best path toward peace is absolutely “twisted logic”. It is as twisted as it gets. Because it is false. This is obvious to anyone who hasn’t yet been successfully indoctrinated into this omnicidal belief system.
We need to do everything we can to fight against this indoctrination now, because if we wait until the war actually starts it will likely be too late to resist.
And the nuclear industry is going for the fiction prize
By Linda Pentz Gunter
Lying is the new black. It is everywhere. It is in, and cool and entirely acceptable in the circles where judgement and ethics are permanently suspended. Disgraced (and now criminally charged) U.S. congressman, George Santos, is the poster child of this new fashion statement. Make up something outlandish and Santos has probably claimed to have said it or done it. None of it is true. And he is still in Congress.
In this (hopefully permanently) post-Trump era, lying with impunity has become precisely that: unpunishable, even applauded, as Trump was on his CNN debacle, which consigned that network to the dustbin of what once used to be called journalism.
It’s all about entertainment now, and clicks, likes, readership and ratings. And fiction. And the nuclear industry boosters are going for the Pulitzer Prize on that one. We used to say, “you couldn’t make this stuff up,” but the pro-nukers do. All the time.
So nuclear power is “the cheapest, safest, greenest” form of energy ever invented. It is “carbon-free.” No one ever died because of a nuclear accident. Irrational fear-mongering by the anti-nuclear movement killed off nuclear power growth in the United States. Renewables are a pipe-dream of the crunchy granola set and about as boring and superfluous. And so on and so on.
There used to be fact-checkers at media organizations. Not any more. Because all this twaddle appears in print and on the air, unchecked and unchallenged. Not only that, media outlets are no longer impartial and are, in fact, deliberately fanning the flames of deceit. Thus, Bloomberg could trumpet an article about the Vogtle 3 and 4 reactors in Georgia with this headline: Nuclear Power Makes Comeback with Massive Carbon-Free Vogtle Plant in Georgia.
This is a comeback? From what, exactly? A comeback is usually a triumphant return to greatness by a previously successful but then faded star. Actor Robert Downey Jr made a comeback. Basketball legend, Michael Jordan, made a comeback.
But Vogtle 3 and 4 are a nuclear comeback? The two reactors are more expensive than any previous reactors — far more — and will exceed at least $35 billion when both are finally operational. That’s over $21 billion more than originally planned.
Massive? That would be the bill paid by Georgia ratepayers. As Stephanie Cooke reported recently in Energy Intelligencer, ratepayers haver already “been charged for the financing portion — but not the actual capital costs — of Georgia Power’s construction bills since 2011.” This has now gone on six years longer than expected, and counting.
And, as Patty Durand, a candidate for the Georgia Public Service Commission, pointed out in a recent column in Utility, Dive, “if all construction costs for Plant Vogtle get moved into the rate base, Georgia Power bills will increase 20% for 60 years.”
Another $2.1 billion of capital costs will be folded into the rate base once Vogtle 3 is fully operational. There will likely be a similar rate hike once Vogtle 4 starts up.
As for carbon-free, do the Bloomberg writers imagine that these plants just magically dropped into place like manna from heaven? Did they really not notice all the cement and steel and other manufactured parts and the trucks delivering it all, and the construction activities on the site? Do they know what fuel these reactors use (uranium) and where it comes from and what kind of carbon footprint uranium mining, milling and enrichment leave behind? Apparently not. Or, maybe calling it “carbon-free” is just, well, a lie.
The Vogtle 3 and 4 project has been beset by numerous delays and technical flaws along with its cost over-runs. It began more than 16 years ago and is still incomplete. If this is a “comeback” then during its previous go-around it must have fallen at the first fence, broken its leg and been shot on the spot. Because it really can’t get much worse than Vogtle.
Unless you are French. Then it can get positively scandaleuse. The French flagship new reactor is called the Evolutionary Power Reactor (EPR), but unless time is running backwards it’s not evolutionary. Like its American AP1000 counterpart, it has suffered years of delays at construction sites in France, Finland and the UK, and run up enormous cost over-runs.
Cost estimates for France’s twin reactor EPR project, Hinkley Point C in the UK, are now predicted to reach at least $40 billion, making it second only to the Great Mosque of Mecca as the most expensive building in the world.
Undeterred, voilà, along comes the French small modular reactor (SMR) known as the “Nuward”. (Notice how a version of “new” has to creep into the branding here — like the “NuScale” counterpart in the United States.)
When asked about the timeline for Nuward’s first concrete pour, the company’s president and CEO, Renaud Crassous, stated blandly: “The constant timeline has been to focus on 2030 as the best compromise between the expectation of the potential market and our ability to grow quickly to deliver this new product.”
2030? Quickly? Hello? So seven years from now, if we continue along our current path of doing too few renewables too late, by which time we will be in grave climate chaos (arguably in some parts of the world we are already there), the nuclear industry will proudly point to, drumroll, a concrete pad. But no actual reactor.
Reality check anyone? Why aren’t the editors at Bloomberg and the New York Times asking questions about time at the very least? And cost? The carbon-free part — that dominated the Bloomberg headline and which isn’t even true — is entirely irrelevant if nuclear power is too slow and too expensive. Which it is.
No matter. The nuclear industry will instead try to distract us with what they call “science”. (In their Thesaurus, ‘science’ is a synonym for ‘alchemy’.) One such example of their “science” is a claim that new reactors will consume their own waste as fresh fuel! No need for uranium mining, they crow!
Except that the claim that a nuclear reactor could “burn” or “consume” nuclear waste is misleading. Reactors can only use a fraction of irradiated fuel as new fuel, and separating that fraction — which requires carbon-intensive and radioactively polluting reprocessing — increases proliferation and terrorism risks.
Undeterred by, heaven forfend, actual facts, those who claim that reactors can eat their own waste won’t eat their own words. Because that would be uncool. And ethical. And these days, embracing integrity and the truth is just so last year.
Linda Pentz Gunter is the international specialist at Beyond Nuclear and writes for and curates Beyond Nuclear International.
The Ukrainian president reacted angrily when confronted about his own intelligence agents’ supposed “dealings” with Russia’s Wagner Group
The Washington Post has cut a large segment from an interview with Ukrainian President Vladimir Zelensky, in which he pushed the newspaper to reveal alleged traitors in his ranks and angrily accused its reporters of aiding Russia by publishing information from leaked documents.
The Post published a transcript of a lengthy interview with Zelensky on Saturday. After a discussion of a Ukrainian counteroffensive against Russian forces, the newspaper asked whether his military intelligence agency – the GUR – had “back-channel contact” with Yevgeny Prigozhin, head of the Russian private military company Wagner Group.
Citing recently leaked Pentagon documents, the Post explained to Zelensky that American spies noted a meeting between the president and GUR chief Kirill Budanov in February in which Budanov told him that he had learned of a Wagner plan to “destabilize Moldova,” but could counter this alleged plan by exposing his own “dealings” with Prigozhin, thus portraying the Wagner boss as “a traitor who has been working with Ukraine.”
Zelensky responded angrily, first asking who within his government had handed this document to the Post. Whoever it was, he said, was committing “treason,” which “is the most severe felony in our country.”
Despite being told that the document did not come from Kiev, but from Washington, Zelensky asked his interviewer to reveal “with which Ukrainian official did you talk?”
The Post has not yet published a story based on the document, and when informed that he was the first Ukrainian official the newspaper had spoken to, Zelensky urged his interviewer not to run the story, arguing that doing so would “demotivate Ukraine,” and accusing them of “playing games with me.”
“You are right now playing with, I think, things that aren’t good for our people,” he warned, asking the Post’s reporter “is your goal to help Russia?” When the reporter said that it was not, Zelensky countered “well, it looks different.”
By Sunday, however, the explosive exchange – during which Zelensky did not dispute that the meeting with Budanov had happened – was missing from the Post’s transcript. The entire 1,400-word back-and-forth about the document was removed, with no explanation given.
The Post’s edit is not the first incident in which Western governments or media outlets have scrubbed information potentially embarrassing or damaging to Kiev. Back in December, the European Commission deleted a video and its associated transcript in which Commission President Ursula von der Leyen said that the Ukrainian military had suffered 100,000 fatalities since Russia’s military operation began ten months earlier.
Kiev keeps its losses a closely guarded secret, and when asked by the Washington Post to comment on this policy, Zelensky sniped “if you have the relevant documents, maybe you can tell us how many people have died…and what their names were.”
Radioactive: The Women of Three Mile Island is the title of a newly-released documentary feature film directed, written and produced by award-winning filmmaker Heidi Hutner, a professor of environmental humanities at Stony Brook University, a “flagship” school of the State University of New York.
With greatly compelling facts and interviews, she and her also highly talented production team have put together a masterpiece of a documentary film.
It connects the proverbial dots of the 1979 Three Mile Island nuclear plant disaster—doing so brilliantly.
The documentary has already received many film awards and has had a screening in recent months in New York City—winning the “Audience Award for Best Documentary” at the Dances With Films Festival—and Harrisburg, Pennsylvania; Sarasota, Florida; Dubuque, Iowa; Long Island, New York; First Frame International Film Festival in New York City; the Environmental Film Festival in Washington D.C., and is soon the featured film at Kat Kramer’s #SHEROESForChange Film Festival in Los Angeles and the Cinequest Film Festival in San Jose, California, as well as the Uranium Film Festival in Rio de Janeiro in Brazil. And there will be tours across the U.S.
Resident after resident of the area around Three Mile Island is interviewed and tells of widespread cancer that has ensued in the years that have followed the accident—a cancer rate far beyond what would be normal. Accounts shared in the documentary are heartbreaking.
A whistleblower who had worked at the nuclear plant tells Hutner of the deliberate and comprehensive attempt by General Public Utilities, which owned TMI, to cover up the gravity of the accident and its radioactive releases, especially of cancer-causing Iodine-131 and Xenon 133.
An attorney, Lynne Bernabei, involved in litigation in the wake of the accident, says the Three Mile Island “cover-up was one of the biggest cover-ups in history.” Meanwhile, the U.S. Nuclear Regulatory Commission which is “supposed to protect the public” has then and since been just “interested in is promoting the [nuclear] industry. This is corrupt,” says attorney Joanne Doroshow, now a professor at New York Law School and director of the Center for Justice & Democracy. Many examples of this are presented.
The documentary’s focus on women includes women being far more at risk to the effects of radioactivity than men. Mary Olson, a biologist, founder, and director of the Gender & Radiation Impact Project, says in the film that those setting radiation standards in the U.S. from the onset of nuclear technology in 1942, based impacts on a “25 to 30 years-old” male “defined as Caucasian.” She said, “It has come to be known as the ‘Reference Man.” However, Olson cites research findings that “radiation is 10 times more harmful to young females” and “50 percent more harmful to a “comparable female” than it is to “Reference Man” who is “more resistant” to radioactivity than a woman.
There’s the scientist Dr. Aaron Datesman, who is now pursuing a major chromosomal study regarding the impact of the disaster on the health of people in the area, and how people have been harmed despite the denials of the nuclear industry. This study is based on his recent ground-breaking work, “Radiological Shot Noise,” in Nature.
And more and more.
………………………………… Hutner, in speaking about the focus on women in Radioactivity: The Women of Three Mile Island, explains: “Following health and safety disasters, it is often women on the ground fighting back, and over and over throughout nuclear history, these women are gaslighted, silenced, called hysterical and ‘radiophobic.’ The result of such silencing: we lose significant information about nuclear history, science, and health.”
Hutner goes on: “What I have dug up after over 20 years of ecofeminist research is shocking—Dr. Alice Stewart’s research on the danger of X-rays to fetuses in the womb; Rachel Carson’s writing about radiation and bioaccumulation; Dr. Helen Caldicott’s warnings about the dangers of nuclear weapons and her peace and vital medical health advocacy as a physician (she has been attacked mercilessly and unfairly by male critics on sexist grounds); Mary Olson’s study of the alarming danger of radiation to girls and women, Leona Morgan’s decolonization activism to protect indigenous communities from uranium extraction and poisoning, and the dumping radioactive waste on native lands; poet activist Kathy Jetnil-Kijner’s story-telling about the suffering of women miscarrying in the Marshall Islands after the 67 nuclear test-bombing by the U.S. There are endless stories such as these.”
“By erasing such women’s voices, by gaslighting these women, men have erased significant human stories, science, research,” says Hutner. “This is a classic sexist maneuver. Call women and those who speak up about the dangers of nuclear technology as radiophobic, hysterical, and incapable of understanding science. As the women in Radioactivity explain, when they spoke at the Nuclear Regulatory Hearings and meetings, asking intelligent questions about the verity of the nuclear company’s and NRC’s claims, and armed with detailed information regarding their corruption and cover-ups—what really happened—the women were laughed at, mocked, told to ‘go home and bake cookies.’”
“That’s why we made Radioactive. The public needs to know and understand how they are being lied to, how key aspects of nuclear disasters and radiation impacts have been swept under the rug. And at what cost. This is life and death. An so we focus on buried women stories, and in subsequent film projects we hope to make as part of a series, we will bring in the silenced voices of black, brown, and women’s indigenous groups impacted unequally by nuclear disasters.”
She adds: “The film could not come at a more important time for a number of reasons. With nuclear power being discussed in some circles as an ‘answer’ to our climate crisis, we believe anyone seeing this film will walk away with the unmistakable conclusion that nuclear power must be off the table. TMI is one of a long list of environmental disasters and cover-ups that have caused serious harm to surrounding communities, which will last decades. It was and continues to be the lesson of what happens when a corporation and industry lacking integrity, regulated by an agency completely captured by that industry, is put in charge of people’s lives. TMI happened 44 years ago. But when it comes to systems meant to protect the public’s health and safety from nuclear hazards, nothing has changed and in fact, has only gotten worse.”
Comments about the documentary include:………………………………………………………………………………………..
Hutner says: “We made Radioactive: The Women of Three Mile Island because the issue of nuclear dangers has ‘died’ as an important cause. It was once a global movement. Front page news. One million people marched in Central Park and so did millions around the world. The big screen popped with blockbusters on the topic. Today: few know or care about nuclear dangers—historical or in the present.”
“Sadly,” Hutner continues, “younger folks are taught nothing in school about nuclear history except a brief lesson (if they are taught anything) on how great nuclear energy is. My students are shocked and aghast at what they learn in my classes (in-depth history and present information). They’ve heard a little bit about Hiroshima and Nagasaki, and they have heard of Chernobyl (barely). They haven’t a clue about anything else. They don’t know what nuclear power is or how it functions. They don’t think about nuclear weapons and the potential for nuclear obliteration.”
“The nuclear industry has won its plan to silence this history and science. They’ve invested heavily in painting a pretty picture, erasing facts, and denigrating concerned citizens, particularly women, as I have explained. There’s no recognition of the great harm done to fetuses, babies, children—especially girl children. There’s a complete disregard for the poisoning of communities of color. Dr. Robert Bullard, the father of the environmental justice movement, and Winona LaDuke, a leading indigenous ecofeminist activist, call this environmental racism.”
“Pronuclear films by Bill Gates, Oliver Stone, Robert Stone, leave out essential information — real experiences of real people who live next to reactors, live with and in disaster zones and highly toxic areas,” Hutner notes. “From what I can see—these guys (note their gender and color) have not spoken with or met the people who live with high rates of cancer and multigenerational cancers in disaster locations. They don’t visit and spend time in these communities. Childhood cancers. Heart disease. Infertility. Deformed babies. Miscarriages. Infertility. On and on.”
“These pro-nuke guys,” Hutner continues, “do not address the science that shows the dangers of radiation exposures or the future of inevitable meltdowns. They blackball this science. They don’t discuss radioactive waste—where and how it’s maintained (poorly—putting all life at risk for thousands of years). And the location of the waste? Mostly indigenous lands and always poorly stored. Waste right on-site at the nuclear facilities, leaving communities located next to and near power plants at risk for thousands of years. They dump nuclear waste in waterways.”…………………………………………………………………………… more https://www.counterpunch.org/2023/05/12/the-women-of-three-mile-island/?fbclid=IwAR0PdDIrL2eXpRa9KFGN2aL7xSLkUwNYVIZFotFrfpKHlRmi8kQSeNCxKUQ
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