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Chilling similarity between out-dated nuclear weapons policies and world of Game of Thrones

Nuclear weapons are archaic weapons that promote an outdated global order rooted in inequality and oppressive patriarchy. Which is another way of saying: our world isn’t that dissimilar to the world of Game of Thrones. The destruction that happened in King’s Landing could happen here, too. My hope is that the fictional blaze witnessed by the Game of Thrones  viewership (43 million people!) will serve as a warning, and will spark denuclearization action.

May 18, 2019 Posted by | culture and arts, media | Leave a comment

What the planet needs from men 

Brisbane Times, by Elizabeth Farrelly, 15 Feb 19…………women aren’t the only victims. Nature too bears the brunt. The world is being shoved off a cliff not by masculinity’s strength but by its terrifying fragility.Fragile masculinity is fear pressurised into rage; fear of losing control – of liberated femininity, of mysterious nature, of a world bucking its traces, of chaos. The anger is a desperate attempt to reinstate that control, illusory as it may always have been.

We [in Australia] have just endured a series of 40-plus days across much of the country, last month was the hottest on record. We joke. Thirty-six is the new normal, haha. I gaze with cold-envy at Antarctica, minus 29. But see this for what it is. This is the will-to-dominance: fragile masculinity in action.

Tasmania incinerates. River systems shrink to nothing. Fish die in their millions. In Queensland up to half a million head of cattle lie rotting in the mud. In the Northern Territory, the soil itself has begun to ignite and thermometers melt in bare ground. On Tuesday, ploughing-induced dust storms obscured Parliament House. Globally, we’re witnessing catastrophic insect extinction, the start of the sixth mass extinction in the planet’s history. The evidence is insurmountable.

Yet we continue to beat nature into submission, as if striving to make the world hotter and weather events more extreme. Other countries reduce emissions. Germany pledges to close its remaining coal-fired power plants in 30 years. Australia could match that. Both UNSW and the CSIRO with Energy Networks Australia argue that renewables could easily supply most or all of our future energy needs. Instead, we become the developed world’s only deforestation hotspot, expected to clear-fell a further 3 million hectares in 15 years.

The Darling Basin Royal Commission finds “gross maladministration” and “negligence” in our governments’ wilful ignorance of climate change. Even the courts, bless them, have started to disallow coal mines for their climate impact. Yet the government response is, well, nothing, actually. Minister Littleproud mentions “learnings” from the Darling but still our noble leaders favour irrigators, build motorways, approve new mines, deny climate science and ease the path to public subsidies for one the biggest coal mines on earth as though it’s all fine.

It’s not fine. This is domestic violence. This planet is our home and they thrash around in it yelling, intimidating, wrecking the joint. Like violent husbands they get all remorseful and beg forgiveness only to do it all again. Why? Because we’ve always thrashed nature, and nature has always coped. As a bloke once said to me: “You don’t want me to shout and get possessive? But I’ve always treated women like this.”

Stoically, the planet has housed and nourished us, tolerated us. But it can’t last. A dominance relationship is never sustainable, human-to-human or human-to-nature. Winning? To win this battle is to lose. The era of collaboration is here………….

It’s when people “stitch their self-worth to being all-powerful” that things go bad. An equal-status relationship – with a partner or with nature – requires listening, empathy, the antidote to shame.

We talk as though “traditional masculinity” were the enemy, as though we want men to evolve into something more like women. But that’s wrong.

What we need is not faux-women but nobler, more confident men. The man-heroes of the future, if we’re to have one, won’t be the brutes and sociopaths. They won’t be the cruel and the thoughtless, the boat-stoppers and coal-brandishers. They’ll be those who hold power but refuse to exploit it, renowned as much for their kindness as their exploits. Literally, gentlemen.

Male anger is leading us over a cliff. If men can find the strength to be truly vulnerable, they deserve to lead. If not, if they persist in this fragile rage, it’ll be up to Rosie the Riveter to save the day. Why? Because there is no spare room to sleep in. https://www.brisbanetimes.com.au/national/what-the-planet-needs-from-men-20190214-p50xrq.html

February 16, 2019 Posted by | AUSTRALIA, culture and arts | Leave a comment

Time to jolt people out of their apathy about danger of nuclear war

It’s Time to Face Up to Our Nuclear Reality

The made-for-TV movie The Day After had an enormous impact on America’s national conversation about nuclear weapons in 1983. Resuming that conversation today is essential, and the movie holds some lessons about what that would take. The Nation, By Dawn Stover–  14 Dec 18 This article originally appeared as part of a special section on The Day After at the Bulletin of the Atomic Scientists “…….The television movie The Day After depicted a full-scale nuclear war and its impacts on people living in and around Kansas City.

It became something of a community project in picturesque Lawrence, 40 miles west of Kansas City, where much of the movie was filmed. Thousands of local residents—including students and faculty from the University of Kansas—were recruited as extras for the movie; about 65 of the 80 speaking parts were cast locally. The use of locals was intentional, because the moviemakers wanted to show the grim consequences of a nuclear war for real Middle Americans, living in the real middle of the country. By the time the movie ends, almost all of the main characters are dead or dying.

ABC broadcast The Day After on November 20, 1983, with no commercial breaks during the final hour. More than 100 million people saw it—nearly two-thirds of the total viewing audience. It remains one of the most-watched television programs of all time. Brandon Stoddard, then-president of ABC’s motion picture division, called it “the most important movie we’ve ever done.” The Washington Post later described it as “a profound TV moment.” It was arguably the most effective public-service announcement in history.

It was also a turning point for foreign policy. Thirty-five years ago, the United States and the Soviet Union were in a nuclear arms race that had taken them to the brink of war. The Day After was a piercing wake-up shriek, not just for the general public but also for then-President Ronald Reagan. Shortly after he saw the film, Reagan gave a speech saying that he, too, had a dream: that nuclear weapons would be “banished from the face of the Earth.” A few years later, Reagan and Soviet leader Mikhail Gorbachev signed the Intermediate-Range Nuclear Forces (INF) Treaty, the first agreement that provided for the elimination of an entire category of nuclear weapons. By the late 1990s, American and Russian leaders had created a stable, treaty-based arms-control infrastructure and expected it to continue improving over time.

Now, however, a long era of nuclear restraint appears to be nearing an end. Tensions between the United States and Russia have risen to levels not seen in decades. . Alleging treaty violations by Russia, the White House has announced plans to withdraw from the INF Treaty. Both countries are moving forward with the enormously expensive refurbishment of old and development of new nuclear weapons—a process euphemized as “nuclear modernization.” Leaders on both sides have made inflammatory statements, and no serious negotiations have taken place in recent years.

There are striking parallels between the security situations today and 35 years ago, with one major discordance: Today, nuclear weapons are seldom a front-burner concern, largely being forgotten, underestimated, or ignored by the American public. The United States desperately needs a fresh national conversation about the born-again nuclear-arms race—a conversation loud enough to catch the attention of the White House and the Kremlin and lead to resumed dialogue. A look back at The Day After and the role played by ordinary citizens in a small Midwestern city shows how the risk of nuclear war took center stage in 1983, and what it would take for that to happen again in 2018.

[Article goes on to detail the story]……

It is no coincidence that nuclear war begins in The Day After with a gradually escalating conflict in Europe. In one scene, viewers hear a Soviet official mention the “coordinated movement of the Pershing II launchers.”

The Intermediate-Range Nuclear Forces Treaty that Reagan and Gorbachev signed in 1987 resolved that conflict, banning all ground-launched and air-launched nuclear and conventional missiles (and their launchers) with ranges between 500 and 5,500 kilometers, or 310 to 3,420 miles. However, Trump said in October that he plans to withdraw from the treaty, and on December 4 Secretary of State Mike Pompeo said the United States would withdraw in 60 days if Russia continues its alleged non-compliance. Gorbachev and Shultz, in a Washington Post op-ed published that day, warned that “[a]bandoning the INF Treaty would be a step toward a new arms race, undermining strategic stability and increasing the threat of miscalculation or technical failure leading to an immensely destructive war.”………

A BRIGHT TOMORROW?

In one scene in The Day After, a pregnant woman who has taken shelter in the Lawrence hospital along with fallout victims tells her doctor that her overdue baby doesn’t want to be born. You’re holding back hope, he says.

“Hope for what?” she asks. “We knew the score. We knew all about bombs. We knew all about fallout. We knew this could happen for 40 years. Nobody was interested.”

It won’t be long before another 40 years have passed. Americans have not yet perished in a nuclear war or its aftermath, but a new arms race is beginning and the potential for an intentional or accidental nuclear war seems to be rising…….. https://www.thenation.com/article/nuclear-weapons-bulletin-atomic-scientists/

December 15, 2018 Posted by | culture and arts, media, Resources -audiovicual | Leave a comment

Here’s an example of the uncritical journalistic hype over the nuclear lobby’s new filmic advertisement

(Low on facts – high on uncritical enthusiasm)

A new documentary puts fresh, young faces on the old debate over nuclear power, Grist , By Nathanael Johnson on Oct 18, 2018“…….. David Schumacher’s new documentary, The New Fire,…. profiles young people working to invent better versions of nuclear power plants. There’s the couple with a simple reactor design who started the company, Oklo. And there’s the Bill Gates-backed TerraPower. …..the movie serves up hope and enthusiasm……..

I discovered these young people starting companies to build nuclear reactors. It was so audacious. They were so heroic and charming and just completely iconoclastic. They shattered the standard image of nuclear engineers……
I’ve had people come up to me and say this has totally changed my mind. At the Philadelphia Environmental Film Festival, this couple approached me and said, “We started a chapter of the Sierra Club downwind of Three-Mile Island.” These are folks who would have been young adults at the time [1978, when the Three Mile Island plant had a partial meltdown]. “So we’ve been very anti-nuclear, but this film really changed our minds.” ……

October 20, 2018 Posted by | 2 WORLD, culture and arts, media, spinbuster | 1 Comment

The dubious nuclear politics of of Fallout video games,

The ambivalent nuclear politics of Fallout video games, Bulletin of the Atomic Scientists, By Cameron Hunter, October 17, 2018 The late French filmmaker, François Truffaut, once claimed “There’s no such thing as an anti-war film”—referring to the adventure and thrill of combat, the (usually) clear-cut heroes and villains, and the opportunity for the film-maker to indulge in spectacular pyrotechnics and loud, cinema-shaking explosions of sound. And the loudest and most impressive explosion of all is the nuclear mushroom cloud.

The same may be proving to be true of video games—perhaps even more so.

Just like war movies, video games have frequently exploited the exciting and dramatic aspects of war. Yet, unlike movie-goers, gamers do not passively consume their media; instead, they make choices and influence the narrative. The result is a medium that trades heavily on visceral, simulated experience. And what could be more visceral than up-close and personal exposure to a nuclear strike?

Trading heavily on its nuclear theme, the Fallout video game series has so far teetered between satirizing the Bomb, and reveling in its power. But now it may be toppling over that fine line.

These games are almost certainly the most well-known (and well-loved) media that deal with nuclear weapons today. Fallout must therefore be taken seriously as an influence on the real-world politics and culture of nuclear weapons in the 21st century.

…..As the series has progressed, the developers have given the player more and more access to their own nuclear weapons. A franchise that began by mocking nuclear technologies now appears to be actively encouraging nuclear use by the players in the brand-new Fallout 76.

…….. perhaps most important of all, these sanitized representations risk teaching a misleading version of humanity’s nuclear predicament to a massive audience. https://thebulletin.org/2018/10/the-ambivalent-nuclear-politics-of-fallout-video-games/

October 20, 2018 Posted by | 2 WORLD, culture and arts | Leave a comment

Nuclear weapons join the other cruel killing methods now pitched as games – entertainment

The Nukes of ‘Fallout 76’ Are Where Power Fantasies Hit a Breaking Point, Waypoint, 16 Oct 18  Postscript is Cameron Kunzelman’s weekly column about endings, apocalypses, deaths, bosses, and all sorts of other finalities.The nuclear blast has cast a long shadow over the 20th century. When the United States bombed Hiroshima and Nagasaki, annihilating somewhere in the range 200,000 human beings in the blast and the aftermath, the new era was inaugurated. That era was defined by the fact that a single bomb dropped from a plane or delivered via an intercontinental ballistic missile could destroy an entire city, poison the land, and assure that target of the nuclear attack was harmed on a fundamental level. They were a way of projecting that a nuclear power like the United States or the Soviet Union would be able to wound an enemy so profoundly that the enemy could never recover. They were the ultimate existential threat.

I say “were” because I am talking historically, but they remain a viable political option. This is perhaps why the recently-deleted tweet from Gamespot was so strange and troubling. It said this: “This is what a nuke looks like going off in Fallout 76, and it’s pretty @#%$^@ epic!”…….

I am not surprised that nuclear devastation is being pitched as a gameplay feature in a video game. I don’t see it as being substantially different from all of the other horrors that we have made fun through the interactive power of video games. Our main mode of engaging with beings in video games remains killing them with blades, guns, and the protagonist’s own hands. I am not morally outraged by this. Instead, the frivolity of it, its “epic” implementation, just makes me feel so tired.

When the detonation of a nuclear weapon is made into a game mechanic and declared “pretty @#%$^@ epic,” I see this simply as a symptom of how insulated games are from the world at large. While films have all the same ways of depicting violence that games have, I have a hard time thinking of a non-satirical film that revels in the absolute annihilation of nuclear war. Dr. Strangelove points out how inept the leaders of the Cold War were, but it obviously does not see the detonation of a nuclear weapon as a fun or optimal output.

Our biggest video games have made executions, stabbings, headshots, and eviscerations completely ordinary. A year without any of those things would be a shocking anomaly, a true blow to the entertainment economy, and it would mean that most of our most profitable game franchises did not release an entry. And now nuclear weapons have been absorbed into this system that sees everything as a potential mechanic and a way of entertaining and maintaining players. In Fallout 76, detonating a nuclear device is just a way to generate more gameplay. From what we’ve seen of the game so far, it is robbed of any significance beyond its mechanical function. ……..

All of our blockbuster games tend toward making the player feel powerful. They want to be fun, to embrace the player, to allow them to feel like they have agency in relation to the world around them. As far as I can tell, there is nothing than will not be sacrificed or compromised in the drive to accomplish that goal. Our biggest games, like the Fallout games, are simply after their players feeling strong. Anything that keeps players from feeling strong must be minimized……..

No matter who you are, no matter how powerful you think you are, the reality is that nuclear war will either destroy you or make your life unlivable in its current shape. This reality is fundamentally at odds with how the design of blockbuster video games work. That means that taking nuclear weapons seriously in a blockbuster game is impossible……..

The problem with video games and nuclear weapons doesn’t have anything to do with nuclear weapons themselves. They are simply a human evil, the ultimate symbol of what kind of nightmare we are willing to bring to bear on one another in our quest for dominance and violence. The problem in the relationship between video games and nuclear weapons is video games.

Unlike our friends over at Motherboard, there is not a part of me that finds joy in the adoption of nuclear weapons as yet another thing that is horribly violent and played for laughs in a game. It is impossible for me to think about nuclear weapons without thinking about the shadows blasted into stone at Hiroshima. I think about the rotting flesh of The Day After. I think about the unfathomable human cost of nuclear weapons, which includes the cancers grown under the aegis of environmental drift of radioactive particles………https://waypoint.vice.com/en_us/article/7x3qjz/fallout-76-nukes-bad-nuclear-weapons?utm_source=wptwitterus

October 18, 2018 Posted by | 2 WORLD, culture and arts, Education | Leave a comment

Britain’s Nuclear Decommissioning Authority’s (NDA) Nuclear and Caithness Archive in Scotland – central site for British nuclear records

Wired 8th Oct 2018 Seventy years of British nuclear history lie behind these concrete, stone
and aluminium walls. Since opening in February 2017, Nucleus, the UK
Nuclear Decommissioning Authority’s (NDA) Nuclear and Caithness Archive,
near Wick, Scotland, has been gathering thousands of records, images and
plans about the UK’s civil nuclear industry.

More documents are being transferred from 17 archives across the UK, as the NDA plans to house them
all in this single purpose-built location. The archive contains documents
dating back to the 1950s, and some are classified as Top Secret. Records
are kept in triplicate: a copy on paper, a microfilm and a PDF version, to
reduce wear on the originals.
https://www.wired.co.uk/article/nucleus-archive-uk-nuclear

October 9, 2018 Posted by | culture and arts, UK | Leave a comment

Fukuhima academic team establishing an archive of nuclear disaster lessons

Fukushima prof., residents seek to establish an archive of nuke disaster lessons, Mainichi  News,  KATSURAO, Fukushima, 16 Sept 18 — A Fukushima University professor and his team are gathering materials for an archive project to pass on the lessons learned from the 2011 Great East Japan Earthquake and nuclear disaster in this prefecture in northeastern Japan.

In a March 2017 plan finalized by the Fukushima Prefectural Government, the archives will be inaugurated in the summer of 2020 at a cost of approximately 5.5 billion yen in the town of Futaba, which has been rendered “difficult to live” due to radioactive fallout from the triple core meltdowns at Tokyo Electric Power Co. (TEPCO)’s Fukushima No.1 Nuclear Power Plant in March 2011. The facility will have a total floor space of 5,200 square meters with areas for exhibitions, management and research, storage, training sessions and holding meetings. The design was modeled after a similar center in the western Japan city of Kobe that was built to store records of the 1995 Great Hanshin Earthquake, but with more focus on the nuclear disaster than the quake itself.

Professor Kenji Yaginuma of Fukushima University’s Fukushima Future Center for Regional Revitalization and his team are visiting places affected by the nuclear accident and collecting testimonies of residents, documents, pictures and images for the project…………
Yaginuma’s team is collecting just about anything that shows the daily lives of residents before the quake, or items that show what happened in the disaster and the ensuing nuclear accident, as well as materials indicative of post-disaster situations………..https://mainichi.jp/english/articles/20180912/p2a/00m/0na/028000c

September 17, 2018 Posted by | culture and arts, Japan | Leave a comment

In the Anthropocene, the day of peak consumption of stuff will eventually come

September 12, 2018 Posted by | 2 WORLD, culture and arts | Leave a comment

Japan might sue journalist over his coverage of Fukushima, in Dark Tourist series

Japanese authorities mulling legal action over Kiwi journalist David Farrier’s Fukushima coverage in Dark Tourist series, https://www.tvnz.co.nz/one-news/entertainment/japanese-authorities-mulling-legal-action-over-kiwi-journalist-david-farriers-fukushima-coverage-in-dark-tourist-series  Kiwi journalist David Farrier has come to the attention of authorities in Japan a segment of his Netflix series Dark Tourist, filmed in Fukushima.

The Fukushima Prefectural Government and the Reconstruction Agency are looking to take legal action over the video over concerns it will stoke “unreasonable” fears of radiation in the Fukushima Prefecture, the Japan Times reports.

A senior official from the prefecture said they were “examining the video content”.

In the episode, Farrier is filmed taking a tour of areas affected by the 2011 meltdown of a nuclear plant in Fukushima where he suspects a meal served from a restaurant in Namie, a town in Fukushima Prefecture, has been contaminated by radiation.

It also shows the journalist enter a no-go zone around the Fukushima Daiichi nuclear power plant without permission from authorities, reporting from an abandoned game arcade, and tourists on a bus becoming distressed over rising radiation levels without information about the vehicle’s location.

The show has the journalist travel to different locations around the world associated with grim historical events, including the footsteps of serial killer Jeffrey Dahmer in Milwaukee, and voodoo rituals in Benin, West Africa.

September 3, 2018 Posted by | civil liberties, culture and arts, Japan, Resources -audiovicual | Leave a comment

Black Mist Burnt Country: art under the nuclear cloud of Maralinga

https://www.smh.com.au/entertainment/art-and-design/black-mist-burnt-country-art-under-the-nuclear-cloud-of-maralinga-20180823-p4zz7i.html, By Karen Hardy 24 August 2018 On September 27, 1956, the British exploded an atomic bomb on Pitjantjatjara land in South Australia. The place would become known as Maralinga, which means “thunder” in the now-extinct Garik Aboriginal language.

Black Mist Burnt Country tells the stories of the atomic tests in Australia in the 1950s and ’60s, revisiting the events and locations through the artworks of Indigenous and non-Indigenous contemporary artists across the mediums of painting, print-making, sculpture, photography, video and new media.

Now showing at the National Museum of Australia, it has been touring with great success since September 2016, opening then to commemorate the 60th anniversary of the first test at Maralinga.

Curator JD Mittman, from the Burrinja Dandenong Ranges Cultural Centre, grew up “under the nuclear cloud” in Germany during the 1980s and when he came to Australia he was surprised to learn there had been atomic tests here.

In the collection of the small community arts centre he found a large canvas work by Jonathan Kumintjarra Brown entitled Maralinga Before the Atomic Test.

The question for me was what did ‘after’ look like?”

When he began his research he was surprised to find so many works concerning Australia’s place in the nuclear race.

Artist Arthur Boyd participated in anti-nuclear demonstrations in the 1960s and his Jonah on the Shoalhaven – Outside the City (1976), features a tiny mushroom cloud, blending biblical imagery with contemporary landscape and personal symbolism.

Sidney Nolan’s Central Desert: Atomic Test (1952-57) is part of a classic series of desert landscapes Nolan began in the late 1940s. He added a mushroom cloud on the horizon at a later date.

“This exhibition doesn’t look at any one artist’s body of work,” says Mittman, “but displays how varied the approaches were, how different the perspectives were, and what the original stories were.

“Every generation has taken a different approach.”

There are large canvases by Kumintjarra Brown, one Frogmen, shows three men in masks and protective suits, another Black Rain tells the tragic story of a group of Anangu people who were found huddled together, dead, in a crater near the bomb site.

Mittman says it’s important for Australians, particularly generations who may not have even heard of the testing, let alone those of us to whom Maralinga is a familiar word but were unaware of such details as then prime minister Robert Menzies did not even consult cabinet when he gave permission to begin the testing.

“And it’s not just a story of the past,” he says.

“There is great concern among the indigenous community, and I don’t want to speak on their behalf, about the ongoing repercussions of the testing on country.

“And it’s even more than that, the multi-media work from Linda Dement and Jessie Boylan builds a bridge between the past and the present. “There are 15,000 warheads in the world at present, many of them on planes, in submarines, ready to strike within minutes.

“The Cold War might have ended but the nuclear threat has not gone away.”

He says it’s somewhat fitting that the exhibition opens in Canberra in the same week the International Campaign to Abolish Nuclear Weapons protest arrives in Canberra heading to parliament to urge politicians to ratify the nuclear weapon ban treaty.

Black Mist Burnt Country at the National Museum of Australia until November 18.

August 27, 2018 Posted by | AUSTRALIA, culture and arts | Leave a comment

Energy politics – why renewables are winning over nuclear power

Why are renewables suddenly trouncing nuclear energy?  City Metric, By David Toke,   31 May 18 

If recent trends continue for another two years, the global share of electricity from renewables excluding hydropower will overtake nuclear for the first time. Even 20 years ago, this nuclear decline would have greatly surprised many people – particularly now that reducing carbon emissions is at the top of the political agenda.

On one level this is a story about changes in relative costs. The costs of solar and wind have plunged while nuclear has become almost astoundingly expensive. But this raises the question of why this came about. As I argue in my new book, Low Carbon Politics, it helps to dip into cultural theory.

Culture wars

The seminal text in this field, Risk and Culture (1982), by the British anthropologist Mary Douglas and American political scientist Aaron Wildavsky, argues the behaviour of individuals and institutions can be explained by four different biases:

  • Individualists: people biased towards outcomes that result from competitive arrangements;
  • Hierarchists: those who prefer ordered decisions being made by leaders and followed by others;
  • Egalitarians: people who favour equality and grassroots decision-making and pursue a common cause;
  • Fatalists: those who see decision-making as capricious and feel unable to influence outcomes.

The first three categories help explain different actors in the electricity industry. For governments and centralised monopolies often owned by the state, read hierarchists. For green campaigning organisations, read egalitarians, while free-market-minded private companies fit the individualist bias.

The priorities of these groups have not greatly changed in recent years. Hierarchists tend to favour nuclear power, since big power stations make for more straightforward grid planning, and nuclear power complements nuclear weapons capabilities considered important for national security.Egalitarians like Greenpeace and Friends of the Earth usually oppose new nuclear power plant and favour renewables. Traditionally they have worried about radioactive environmental damage and nuclear proliferation. Individualists, meanwhile, favour whichever technologies reduce costs.

These cultural realities lie behind the problems experienced by nuclear power. To compound green opposition, many of nuclear power’s strongest supporters are conservative hierarchists who are either sceptical about the need to reduce carbon emissions or treat it as a low priority. Hence they are often unable or unwilling to mobilise climate change arguments to support nuclear, which has made it harder to persuade egalitarians to get on board. ………..
even hierarchists cannot ignore economic reality entirely. The South Carolina project has been abandoned and the Georgia project only survives through a very large federal loan bailout.

Contrast this with casino complexes in Nevada like MGM Resorts not only installing their own solar photovoltaic arrays but paying many millions of dollars to opt out from the local monopoly electricity supplier. They have campaigned successfully to win a state referendum supporting electricity liberalisation.

The UK, meanwhile, is an example of how different biases can compete. Policy has traditionally been formed in hierarchical style, with big companies producing policy proposals which go out to wider consultation. It’s a cultural bias that favours nuclear power, but this conflicts with a key priority dating back to Thatcher that technological winners are chosen by the market.

This has led policymakers in Whitehall to favour both renewables and nuclear, but the private electricity companies have mostly refused to invest in nuclear, seeing it as too risky and expensive. The only companies prepared to plug the gap have been more hierarchists – EDF, which is majority-owned by France, and Chinese state nuclear corporations.

Even then, getting Hinkley C in south-west England underway – the first new nuclear plant since the 1990s – required an extensive commitment by the UK treasury to underwrite bank loans. There is also an embarrassingly high price to be paid for the electricity over a very long 35-year period. Such has been the bad publicity that it’s hard to imagine a politician agreeing to more plant on such terms.

Where does this reality leave hierarchists? Increasingly having to explain prohibitive nuclear costs to their electorates – at least in democracies. The alternative, as renewable energy becomes the new orthodoxy, is to embrace it.

In Australia, for example, a big utility company called AGL is trying to seduce homeowners to agree to link their solar panels to the company’s systems to centralise power dispatch in a so-called a “virtual power plant”.

The ConversationWhen the facts change, to misquote John Maynard Keynes, you can always change your mind.

David Toke, Reader in Energy Policy, University of Aberdeen.

This article was originally published on The Conversation. Read the original article.   https://www.citymetric.com/horizons/why-are-renewables-suddenly-trouncing-nuclear-energy-3779

June 1, 2018 Posted by | 2 WORLD, culture and arts, politics | Leave a comment

The young technology emperors have a miserable opinion of humanity – and so prophesy nuclear doom

The real reason tech billionaires are prepping for doomsday

A misanthropic view of humanity guides the tech aristocracy — and it’s trickled into their vision of the future, Salon, JASON RHODE MAY 12, 2018,

If you pay attention to what Silicon Valley’s best and brightest are up to, you know about tech survivalism. The digital elite are preparing for the Apocalypse, and have been for a while.

As Evan Osnos wrote in his New Yorker feature, “Doomsday Prep for the Super-Rich,”

Survivalism, the practice of preparing for a crackup of civilization, tends to evoke a certain picture: the woodsman in the tinfoil hat, the hysteric with the hoard of beans, the religious doomsayer. But in recent years survivalism has expanded to more affluent quarters, taking root in Silicon Valley and New York City, among technology executives, hedge-fund managers, and others in their economic cohort.

The Guardian noted that the end-of-days obsession could be traced back to a single source, a sort of ur-text of rich-guy panic: a 1999 book called “The Sovereign Individual: How to Survive and Thrive during the Collapse of the Welfare State.” It was written by James Dale Davidson, a private investment advisor, and Lord Rees-Moog, a British newspaper editor.

You can probably already guess at what the book says. More or less, it’s a pastiche of extolling the virtues of how the rich are superior, how they’re persecuted by the state, and how digital realms can and will liberate them and make them sovereign individuals. It’s a familiar trope: Ayn Rand had John Galt spewed the same list of self-serving ideas 60 years ago in “Atlas Shrugged.”

That an elite caste of people would find inspiration in these kinds of ideas is unsurprising. But there’s a more obvious reason that rich people are doomsday preppers: because that ideology mirrors their politics and their sociological views of people.

Aristocracy is the faith that a few individuals are better than the herd. Aristocracy justifies great wealth. Aristocracy says that most humans are inherently evil and will turn on each other. The mob needs strong rulers to stay sane. If authority breaks down, the rabid animals will run wild.

And the tech industry is a special subset of rich people. Our society runs on technology. Very few of us understand it, or build it personally; we rely on a select priesthood to handle that necessity. These conditions guarantee an elitist mindset. Even if Silicon Valley wasn’t wealthy, they’d still be stocking up on Krugerrands and beaver pelts. The money just gives them more space to indulge Ahab-like paranoia.

Additionally, the digerati tend to view human beings as automatons: easily exchangeable and swappable data points, resources to be exploited. If I wanted to design a system to deliberately turn out an alienated, distanced elite, I’d build Silicon Valley.

To use the language of philosophy, tech-bro survivalism is overdetermined. Imagine you’re an obscenely wealthy app magnate. Even if you’re skeptical about Armageddon, you probably already believe you’re a separate species from the rest of mankind. Letting everyone else go to hell is second nature.

……..Aristocracy is the faith that a few individuals are better than the herd. Aristocracy justifies great wealth. Aristocracy says that most humans are inherently evil and will turn on each other. The mob needs strong rulers to stay sane. If authority breaks down, the rabid animals will run wild.And the tech industry is a special subset of rich people. Our society runs on technology. Very few of us understand it, or build it personally; we rely on a select priesthood to handle that necessity. These conditions guarantee an elitist mindset. Even if Silicon Valley wasn’t wealthy, they’d still be stocking up on Krugerrands and beaver pelts. The money just gives them more space to indulge Ahab-like paranoia.

Additionally, the digerati tend to view human beings as automatons: easily exchangeable and swappable data points, resources to be exploited. If I wanted to design a system to deliberately turn out an alienated, distanced elite, I’d build Silicon Valley.

To use the language of philosophy, tech-bro survivalism is overdetermined. Imagine you’re an obscenely wealthy app magnate. Even if you’re skeptical about Armageddon, you probably already believe you’re a separate species from the rest of mankind. Letting everyone else go to hell is second nature.

…….. Tech-preppers think Doomsday will mean a war of all against all. But there’s no evidence of this.

………What are the tech-preppers really worried about? Not death by fire, quake, or ice. Not the rising seas, or the zombie plague, not the return of Christ or rogue comets. Seen clearly, the calamity that the wealthy fear is democracy returning to the United States. Every tall tale they tell involves the specter of the mob.

The tech-preppers understand, at a deep level, that their ill-gotten gains are predicated on an unjust system. Deep in the brain, where reptile impulses live, tech-bros know hoarding is wrong. Human beings — even very wealthy human beings — have a bone-deep sense of injustice. We know a freeloader.

Why don’t we give them the world they want? I invite the tech-preppers to fully indulge their fantasies: leave, and never return, never darken our doors again. Instead of frustrating their hobby, we should enable it. To your scattered bunkers go, await the end of days. https://www.salon.com/2018/05/12/the-real-reason-tech-billionaires-are-prepping-for-doomsday/

May 18, 2018 Posted by | culture and arts, USA | Leave a comment

Nuclear scientists not so well aware of the risks – theme for April 2018

Research has found disturbing differences in the attitudes of scientists in different areas, to health and environmental risks of the nuclear industry.

It is even more disturbing that policy-makers and politicians prefer to support  and value the opinions and work of the very scientists who are least informed and least interested in those risks.

Politics and Scientific Expertise: Scientists, Risk Perception, and Nuclear Waste Policy, Richard P. Barke Hank C. Jenkins‐Smith.   – To study the homogeneity and influences on scientists’perspectives of environmental risks, we have examined similarities and differences in risk perceptions, particularly regarding nuclear wastes, and policy preferences among 1011 scientists and engineers. We found significant differences (p0.05)in the patterns of beliefs among scientists from different fields of research. In contrast to physicists, chemists, and engineers, life scientists tend to: (a)perceive the greatest risks from nuclear energy and nuclear waste management; (b)perceive higher levels of overall environmental risk; (c)strongly oppose imposing risks on unconsenting individuals; and (d)prefer stronger requirements for environmental management.

On some issues related to priorities among public problems and calls for government action, there are significant variations among life scientists or physical scientists. We also found that–independently of field of research–perceptions of risk and its correlates are significantly associated with the type of institution in which the scientist is employed. Scientists in universities or state and local governments tend to see the risks of nuclear energy and wastes as greater than scientists who work as business consultants, for federal organizations, or for private research laboratories. Significant differences also are found in priority given to environmental risks, the perceived proximity of environmental disaster, willingness to impose risks on an unconsenting population, and the necessity of accepting risks and sacrifices. more https://onlinelibrary.wiley.com/doi/abs/10.1111/j.1539-6924.1993.tb00743.x

April 7, 2018 Posted by | Christina's themes, culture and arts | 2 Comments

Nukespeak: The language used about nuclear weapons helps make the idea of using them “clean’and “acceptable”

The antiseptic language of Nukespeak cleans up the very dirty business of nuclear weapons https://www.jsonline.com/story/opinion/contributors/2018/02/27/nukespeak-cleans-up-language-nuclear-holocaust/378235002/ Paul Carroll  March 1, 2018  The first nuclear explosion, in the New Mexico desert in July 1945, came from a massive spherical bomb with radioactive plutonium at its core. It was playfully called “The Gadget.”  

Can you think of a more innocuous word for a machine that could eradicate a city in seconds, incinerating humans and buildings for miles?

From that explosion onward, the ways that Americans have talked about nuclear war have been more “Gadget” than “destroyer of worlds.” We’ve adopted a language that is detached and sterilized from the reality of what a nuclear bomb actually does. Our nuclear linguistics allows us to consider “winning” nuclear wars and other impossibilities.

Phrases like “nuclear exchange” dehumanized what could be the death of millions. Terms like “BAMBI” were coined to describe weapons in the nuclear world; BAMBI was a “Ballistic Missile Boost Intercept” system that envisioned using giant nets deployed from missiles to foil Soviet attacks. (Never mind that it didn’t work.)

We should consider whether the way we talk about nuclear bombs makes us more likely to launch one.

Originally, this coded language was part of the secrecy of the Cold War. There was the policy called “containment,” by which communism would be sort of “fenced in” by nuclear threats. Later there was “deterrence,” whereby the pain we would inflict on an adversary if they did something we didn’t like was assurance that they wouldn’t do said thing.

Once nuclear-armed missiles and later nuclear-armed submarines joined the mix, there was no defense against nuclear attack. The approaches to avoid the very catastrophe these weapons were built to unleash were described and conveyed in language that often had dark, absurdist undertones. Mutual Assured Destruction, or MAD, is the most famous, and perhaps most honest.

While nuclear weapons inspired widespread public concern, psychologists also discovered that people could at once be terrified about nukes and mollified into a weird acceptance of them. Nuclear war is so terrible and awesome that the very thought of it stymies people from doing anything about it. That dynamic was aided by the continuous generation of phrases that distanced people even further from reality — nuclear bombs were “stockpiles” and nuclear became “ladder of escalation” or “proportionate response.”

This phenomenon was given a name in an article by Professor Edward Schiappa in 1989 —“ Nukespeak.”

Schiappa wrote: “The moral and practical implications of nuclear war are ignored or underestimated by Nukespeak users, and nuclear policy issues are rendered trivial or less accessible to the public.”

The language surrounding nuclear weapons and war has not changed, despite the advent of instantaneous communications and massive social media platforms. If anything, it now combines the worst elements of trivializing the realities of nuclear war with the hubris and testosterone-laden schoolyard taunts that almost dare us to use them.

Consider our own National Nuclear Security Administration (NNSA). (Notice the word “security” rather than “weapons”?) The NNSA has an ongoing program to upgrade and prolong the operation of U.S. nuclear weapons. It’s called the “Life Extension Programs.” How’s that for Orwellian doublespeak? The first bomb to get this facelift is a gravity bomb carried on aircraft. Known as the B-61, it is categorized as a “tactical nuclear weapon. But this bomb has a “yield” of up to 170 kilotons, roughly 15 times more powerful than the bomb that devastated Hiroshima.

President Donald Trump’s imminent “Nuclear Posture Review” is expected to have elements that would support building so-called “mini-nukes.” These are said to be more “usable” in a conflict. But the very idea of a usable nuke undermines the entire premise of nuclear deterrence and the special status of nuclear weapons that is supposed to draw a bright line between them and all other weapons.

Lest you think that this is just Trump being Trump, the fact is that our current military and national security leaders have been gaming out a military attack on North Korea. The belief is that we can attack them in such a way that they understand it’s just a “bloody nose” — not a full-scale war.

What could possibly go wrong? 

We needn’t succumb to this Nukespeak. While we do not yet have the access or policies to dismantle the nuclear bombs ourselves, we can dismantle the language that has made them possible.

Social media is one place to fight with memes and words. There we can reveal the lie that turned the “destroyer of worlds,” into “proportionate responses.”  And we can explain loud and clear that there is no ice pack big enough for a nuclear bloody nose.

Paul Carroll is a senior adviser at N Square, a funders initiative to attract innovation and collaboration to reduce and eliminate the threats from nuclear weapons and materials. He has spent more than 25 years in government and non-profit roles as a policy expert supporting such efforts. He wrote this for Zocalo Public Square.


March 3, 2018 Posted by | 2 WORLD, culture and arts, weapons and war | Leave a comment

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